Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin

Although it is often assumed that Raphael Lemkin’s original concept of genocide related only to Nazi atrocities, in fact the elements of the offense as Lemkin construed it predate his elaboration of genocide in Axis Rule in Europe. It is clear from Lemkin’s published and unpublished writings that he...

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Main Author: Michael Bryant
Format: Article
Language:English
Published: International Association of Genocide Scholars 2020-05-01
Series:Genocide Studies and Prevention: An International Journal
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spelling doaj-1fb34b96575342bbae29cba2d24d769b2020-11-25T02:14:04ZengInternational Association of Genocide ScholarsGenocide Studies and Prevention: An International Journal1911-03591911-99332020-05-01141213910.5038/1911-9933.14.1.1632Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël LemkinMichael Bryant0Bryant UniversityAlthough it is often assumed that Raphael Lemkin’s original concept of genocide related only to Nazi atrocities, in fact the elements of the offense as Lemkin construed it predate his elaboration of genocide in Axis Rule in Europe. It is clear from Lemkin’s published and unpublished writings that he intended his definition to apply to other mass exterminations, including settler-Indian interactions on the North American frontier. Lemkin forsook the constrictive hermeneutics of legal formalism in favour of a broad understanding of genocide. At the heart of his concept was a concern with the preservation of unique cultural forms—the very phenomena under threat from civilian settler colonialism. Lemkin’s surprisingly non-legalistic concept of genocide is rooted less in 20th century legal developments than in European Romanticism. While law was the integument of his concept, the urge to protect cultural ways of being in the world was its life-blood.
collection DOAJ
language English
format Article
sources DOAJ
author Michael Bryant
spellingShingle Michael Bryant
Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
Genocide Studies and Prevention: An International Journal
author_facet Michael Bryant
author_sort Michael Bryant
title Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
title_short Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
title_full Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
title_fullStr Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
title_full_unstemmed Canaries in the Mineshaft of American Democracy: North American Settler Genocide in the Thought of Raphaël Lemkin
title_sort canaries in the mineshaft of american democracy: north american settler genocide in the thought of raphaël lemkin
publisher International Association of Genocide Scholars
series Genocide Studies and Prevention: An International Journal
issn 1911-0359
1911-9933
publishDate 2020-05-01
description Although it is often assumed that Raphael Lemkin’s original concept of genocide related only to Nazi atrocities, in fact the elements of the offense as Lemkin construed it predate his elaboration of genocide in Axis Rule in Europe. It is clear from Lemkin’s published and unpublished writings that he intended his definition to apply to other mass exterminations, including settler-Indian interactions on the North American frontier. Lemkin forsook the constrictive hermeneutics of legal formalism in favour of a broad understanding of genocide. At the heart of his concept was a concern with the preservation of unique cultural forms—the very phenomena under threat from civilian settler colonialism. Lemkin’s surprisingly non-legalistic concept of genocide is rooted less in 20th century legal developments than in European Romanticism. While law was the integument of his concept, the urge to protect cultural ways of being in the world was its life-blood.
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