“From in the light I touched the light”
In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations throu...
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Centre de Recherche "Texte et Critique de Texte"
2016-12-01
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Series: | Sillages Critiques |
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Online Access: | http://journals.openedition.org/sillagescritiques/4716 |
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doaj-1fa8f8b7a3004ebe8df811a01ad662b62020-11-25T00:02:55ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-0121“From in the light I touched the light”Anne-Laure TissutIn the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing.http://journals.openedition.org/sillagescritiques/4716Francis BaconBlake ButlerDerek Whiteimagemutationrepresentation |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Anne-Laure Tissut |
spellingShingle |
Anne-Laure Tissut “From in the light I touched the light” Sillages Critiques Francis Bacon Blake Butler Derek White image mutation representation |
author_facet |
Anne-Laure Tissut |
author_sort |
Anne-Laure Tissut |
title |
“From in the light I touched the light” |
title_short |
“From in the light I touched the light” |
title_full |
“From in the light I touched the light” |
title_fullStr |
“From in the light I touched the light” |
title_full_unstemmed |
“From in the light I touched the light” |
title_sort |
“from in the light i touched the light” |
publisher |
Centre de Recherche "Texte et Critique de Texte" |
series |
Sillages Critiques |
issn |
1272-3819 1969-6302 |
publishDate |
2016-12-01 |
description |
In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing. |
topic |
Francis Bacon Blake Butler Derek White image mutation representation |
url |
http://journals.openedition.org/sillagescritiques/4716 |
work_keys_str_mv |
AT annelauretissut frominthelightitouchedthelight |
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1725435858404769792 |