“From in the light I touched the light”

In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations throu...

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Main Author: Anne-Laure Tissut
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2016-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/4716
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spelling doaj-1fa8f8b7a3004ebe8df811a01ad662b62020-11-25T00:02:55ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-0121“From in the light I touched the light”Anne-Laure TissutIn the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing.http://journals.openedition.org/sillagescritiques/4716Francis BaconBlake ButlerDerek Whiteimagemutationrepresentation
collection DOAJ
language English
format Article
sources DOAJ
author Anne-Laure Tissut
spellingShingle Anne-Laure Tissut
“From in the light I touched the light”
Sillages Critiques
Francis Bacon
Blake Butler
Derek White
image
mutation
representation
author_facet Anne-Laure Tissut
author_sort Anne-Laure Tissut
title “From in the light I touched the light”
title_short “From in the light I touched the light”
title_full “From in the light I touched the light”
title_fullStr “From in the light I touched the light”
title_full_unstemmed “From in the light I touched the light”
title_sort “from in the light i touched the light”
publisher Centre de Recherche "Texte et Critique de Texte"
series Sillages Critiques
issn 1272-3819
1969-6302
publishDate 2016-12-01
description In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing.
topic Francis Bacon
Blake Butler
Derek White
image
mutation
representation
url http://journals.openedition.org/sillagescritiques/4716
work_keys_str_mv AT annelauretissut frominthelightitouchedthelight
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