Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels

This paper aims to retrace the influence of the politics of gender enacted by Nelson and Winnie Mandela on post-apartheid gender relationships, as represented in three novels: Phaswane Mpe’s Welcome to Our Hillbrow (2001), Njabulo Ndebele’s The Cry of Winnie Mandela (2003) and Lewis Nkosi’s Mandela’...

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Main Author: Lorenzo Mari
Format: Article
Language:English
Published: Università degli Studi di Milano 2014-11-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/4472
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spelling doaj-1f7c5eac5e144f99850e24cb5df8ffcd2020-11-25T03:41:18ZengUniversità degli Studi di MilanoAltre Modernità2035-76802014-11-010129511310.13130/2035-7680/44723868Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid NovelsLorenzo Mari0Università degli Studi di BolognaThis paper aims to retrace the influence of the politics of gender enacted by Nelson and Winnie Mandela on post-apartheid gender relationships, as represented in three novels: Phaswane Mpe’s Welcome to Our Hillbrow (2001), Njabulo Ndebele’s The Cry of Winnie Mandela (2003) and Lewis Nkosi’s Mandela’s Ego (2006). Recently, Nelson and Winnie Mandela’s marriage has been also described as the “unusual founding-family romance” (Munro 2014) of the post-apartheid nation. Their marriage lasted from 1958 to 1992, including, thus, the last decades of the anti-apartheid struggle, as well as the demise of the apartheid regime. Their separation, which was due in the first place to Nelson Mandela’s imprisonment and, later, to their divorce, eventually marked the disruption of this founding-family romance, making it “unusual”. As a consequence, the deconstructive take on Nelson Mandela’s fatherhood and masculinity and Winnie Mandela’s femininity and motherhood which is enacted in the three novels also allows to reassess the possibility of that “founding-family romance”, envisioning an alternative understanding of the origins of the post-apartheid South African nation.https://riviste.unimi.it/index.php/AMonline/article/view/4472Nelson MandelaWinnie MandelaFathering/Mothering the NationLewis NkosiNjabulo NdebelePhaswane Mpe
collection DOAJ
language English
format Article
sources DOAJ
author Lorenzo Mari
spellingShingle Lorenzo Mari
Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
Altre Modernità
Nelson Mandela
Winnie Mandela
Fathering/Mothering the Nation
Lewis Nkosi
Njabulo Ndebele
Phaswane Mpe
author_facet Lorenzo Mari
author_sort Lorenzo Mari
title Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
title_short Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
title_full Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
title_fullStr Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
title_full_unstemmed Romance and Freedom: Nelson and Winnie Mandela’s Politics of Gender in Three Post-Apartheid Novels
title_sort romance and freedom: nelson and winnie mandela’s politics of gender in three post-apartheid novels
publisher Università degli Studi di Milano
series Altre Modernità
issn 2035-7680
publishDate 2014-11-01
description This paper aims to retrace the influence of the politics of gender enacted by Nelson and Winnie Mandela on post-apartheid gender relationships, as represented in three novels: Phaswane Mpe’s Welcome to Our Hillbrow (2001), Njabulo Ndebele’s The Cry of Winnie Mandela (2003) and Lewis Nkosi’s Mandela’s Ego (2006). Recently, Nelson and Winnie Mandela’s marriage has been also described as the “unusual founding-family romance” (Munro 2014) of the post-apartheid nation. Their marriage lasted from 1958 to 1992, including, thus, the last decades of the anti-apartheid struggle, as well as the demise of the apartheid regime. Their separation, which was due in the first place to Nelson Mandela’s imprisonment and, later, to their divorce, eventually marked the disruption of this founding-family romance, making it “unusual”. As a consequence, the deconstructive take on Nelson Mandela’s fatherhood and masculinity and Winnie Mandela’s femininity and motherhood which is enacted in the three novels also allows to reassess the possibility of that “founding-family romance”, envisioning an alternative understanding of the origins of the post-apartheid South African nation.
topic Nelson Mandela
Winnie Mandela
Fathering/Mothering the Nation
Lewis Nkosi
Njabulo Ndebele
Phaswane Mpe
url https://riviste.unimi.it/index.php/AMonline/article/view/4472
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