Time Modeling: Salvatore Sciarrino, Windows and Beclouding
In this article I intend to discuss one of the figures created by the Italian composer Salvatore Sciarrino: the windowed form. After the composer's explanation of this figure, I argue that windows in composition can open inwards and outwards the musical discourse. On one side, they point to the...
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2017-08-01
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doaj-1f2d1177cf984ad893171dade7cde5fd2020-11-24T20:53:55ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172017-08-0123213115410.20504/opus2017b2306397Time Modeling: Salvatore Sciarrino, Windows and BecloudingAcácio Tadeu de Camargo Piedade0Universidade do Estado de Santa Catarina, UDESCIn this article I intend to discuss one of the figures created by the Italian composer Salvatore Sciarrino: the windowed form. After the composer's explanation of this figure, I argue that windows in composition can open inwards and outwards the musical discourse. On one side, they point to the composition's inner ambiences and constitute an internal remission. On the other, they instigate the audience to comprehend the external reference, thereby constructing intertextuality. After the outward window form, I will consider some techniques of distortion, particularly one that I call beclouding. To conclude, I will comment the question of memory and of compostition as time modeling.http://www.anppom.com.br/revista/index.php/opus/article/view/496Salvatore Sciarrino. Forma em Janelas. Composição |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
Acácio Tadeu de Camargo Piedade |
spellingShingle |
Acácio Tadeu de Camargo Piedade Time Modeling: Salvatore Sciarrino, Windows and Beclouding Opus Salvatore Sciarrino. Forma em Janelas. Composição |
author_facet |
Acácio Tadeu de Camargo Piedade |
author_sort |
Acácio Tadeu de Camargo Piedade |
title |
Time Modeling: Salvatore Sciarrino, Windows and Beclouding |
title_short |
Time Modeling: Salvatore Sciarrino, Windows and Beclouding |
title_full |
Time Modeling: Salvatore Sciarrino, Windows and Beclouding |
title_fullStr |
Time Modeling: Salvatore Sciarrino, Windows and Beclouding |
title_full_unstemmed |
Time Modeling: Salvatore Sciarrino, Windows and Beclouding |
title_sort |
time modeling: salvatore sciarrino, windows and beclouding |
publisher |
Associação Nacional de Pesquisa e Pós-Graduação em Música |
series |
Opus |
issn |
0103-7412 1517-7017 |
publishDate |
2017-08-01 |
description |
In this article I intend to discuss one of the figures created by the Italian composer Salvatore Sciarrino: the windowed form. After the composer's explanation of this figure, I argue that windows in composition can open inwards and outwards the musical discourse. On one side, they point to the composition's inner ambiences and constitute an internal remission. On the other, they instigate the audience to comprehend the external reference, thereby constructing intertextuality. After the outward window form, I will consider some techniques of distortion, particularly one that I call beclouding. To conclude, I will comment the question of memory and of compostition as time modeling. |
topic |
Salvatore Sciarrino. Forma em Janelas. Composição |
url |
http://www.anppom.com.br/revista/index.php/opus/article/view/496 |
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AT acaciotadeudecamargopiedade timemodelingsalvatoresciarrinowindowsandbeclouding |
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