Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)

The essay provides an analysis of the emotional and intellectual experience lived by the Senegalese novestist Boubacar Boris Diop in Rwanda in 1998, when he, among other writers, was involved in the initiative "écrire par devoir de mémoire", an initiative aiming at reflecting upon the terr...

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Main Author: Liana Nissim
Format: Article
Language:English
Published: Università degli Studi di Milano 2010-11-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/702
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spelling doaj-1ecdf0ce8ac441f281b0a6f4f47d382b2020-11-25T03:37:37ZengUniversità degli Studi di MilanoAltre Modernità2035-76802010-11-010420021610.13130/2035-7680/702641Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)Liana Nissim0Università degli Studi di MilanoThe essay provides an analysis of the emotional and intellectual experience lived by the Senegalese novestist Boubacar Boris Diop in Rwanda in 1998, when he, among other writers, was involved in the initiative "écrire par devoir de mémoire", an initiative aiming at reflecting upon the terrible events of the 1994 genocide. In his collection of essays, L'Afrique au-delà du miroir, Boubacar Boris Diop offers an intense reflection upon this experience which also iaugurated for him a new conception of history and a new notion of literary writing. As a testimony of this change, the novel Murambi, le livre des ossements reads like a funerary monument to celebrate the memory of the hundreds of thousands of Tutsi people  massacred during the genocide.https://riviste.unimi.it/index.php/AMonline/article/view/702romanzoBoubacar Boris DiopgenocidioRwanda
collection DOAJ
language English
format Article
sources DOAJ
author Liana Nissim
spellingShingle Liana Nissim
Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
Altre Modernità
romanzo
Boubacar Boris Diop
genocidio
Rwanda
author_facet Liana Nissim
author_sort Liana Nissim
title Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
title_short Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
title_full Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
title_fullStr Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
title_full_unstemmed Vivre et écrire dans l’odeur de la mort (“L’Afrique au-delà du miroir” et “Murambi, le livre des ossements” de Boubacar Boris Diop)
title_sort vivre et écrire dans l’odeur de la mort (“l’afrique au-delà du miroir” et “murambi, le livre des ossements” de boubacar boris diop)
publisher Università degli Studi di Milano
series Altre Modernità
issn 2035-7680
publishDate 2010-11-01
description The essay provides an analysis of the emotional and intellectual experience lived by the Senegalese novestist Boubacar Boris Diop in Rwanda in 1998, when he, among other writers, was involved in the initiative "écrire par devoir de mémoire", an initiative aiming at reflecting upon the terrible events of the 1994 genocide. In his collection of essays, L'Afrique au-delà du miroir, Boubacar Boris Diop offers an intense reflection upon this experience which also iaugurated for him a new conception of history and a new notion of literary writing. As a testimony of this change, the novel Murambi, le livre des ossements reads like a funerary monument to celebrate the memory of the hundreds of thousands of Tutsi people  massacred during the genocide.
topic romanzo
Boubacar Boris Diop
genocidio
Rwanda
url https://riviste.unimi.it/index.php/AMonline/article/view/702
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