“Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam

The phenomenon of graffiti has received much attention from many sub-disciplines in social science. Scholars often engage with a small fragment of graffiti writing using ideas popular in their own-subdiscipline. This practice has given birth to a rich, but fragmented literature. This paper tries to...

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Main Author: Jannes Van Loon
Format: Article
Language:English
Published: Société Royale Belge de Géographie and the Belgian National Committee of Geography 2014-12-01
Series:Belgeo
Subjects:
Online Access:http://journals.openedition.org/belgeo/13062
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spelling doaj-1e9aaa7de824474eae7209b5dfafb7b42021-03-02T11:09:01ZengSociété Royale Belge de Géographie and the Belgian National Committee of GeographyBelgeo1377-23682294-91352014-12-01310.4000/belgeo.13062“Just writing your name?” An analysis of the spatial behaviour of graffiti writers in AmsterdamJannes Van LoonThe phenomenon of graffiti has received much attention from many sub-disciplines in social science. Scholars often engage with a small fragment of graffiti writing using ideas popular in their own-subdiscipline. This practice has given birth to a rich, but fragmented literature. This paper tries to connect the fragments by focusing on the spatial behaviour of practitioners of graffiti (i.e. (graffiti) writers) in Amsterdam. Interviews with them provide a basis for demonstrating that graffiti is part of a global phenomenon associated with recurrent social features such as the achievement of fame. Moreover, the triggers for graffiti writers to produce graffiti on a certain surface seem to be interconnected with 1) geographical factors such as the visibility of a location and 2) a certain regulatory regime which characteristics writers can observe on a surface. The complex mixture of such factors on a certain place influences the behaviour of individual graffiti writers, it creates a specific sense of place. Nevertheless, there seem to be groups of graffiti writers whose actions are rather similar. In order to understand their spatial behaviour better this paper argues to use a typology with the dimensions “degree of illegality of the graffiti produced” and “connection to graffiti subculture”. Consequently, four types of writers are distinguished: amateurs, outsiders, bombers, and artists, making it possible to research graffiti in a much less fragmented way.http://journals.openedition.org/belgeo/13062graffitiurban landscapespublic spacesense of placeurban art
collection DOAJ
language English
format Article
sources DOAJ
author Jannes Van Loon
spellingShingle Jannes Van Loon
“Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
Belgeo
graffiti
urban landscapes
public space
sense of place
urban art
author_facet Jannes Van Loon
author_sort Jannes Van Loon
title “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
title_short “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
title_full “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
title_fullStr “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
title_full_unstemmed “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam
title_sort “just writing your name?” an analysis of the spatial behaviour of graffiti writers in amsterdam
publisher Société Royale Belge de Géographie and the Belgian National Committee of Geography
series Belgeo
issn 1377-2368
2294-9135
publishDate 2014-12-01
description The phenomenon of graffiti has received much attention from many sub-disciplines in social science. Scholars often engage with a small fragment of graffiti writing using ideas popular in their own-subdiscipline. This practice has given birth to a rich, but fragmented literature. This paper tries to connect the fragments by focusing on the spatial behaviour of practitioners of graffiti (i.e. (graffiti) writers) in Amsterdam. Interviews with them provide a basis for demonstrating that graffiti is part of a global phenomenon associated with recurrent social features such as the achievement of fame. Moreover, the triggers for graffiti writers to produce graffiti on a certain surface seem to be interconnected with 1) geographical factors such as the visibility of a location and 2) a certain regulatory regime which characteristics writers can observe on a surface. The complex mixture of such factors on a certain place influences the behaviour of individual graffiti writers, it creates a specific sense of place. Nevertheless, there seem to be groups of graffiti writers whose actions are rather similar. In order to understand their spatial behaviour better this paper argues to use a typology with the dimensions “degree of illegality of the graffiti produced” and “connection to graffiti subculture”. Consequently, four types of writers are distinguished: amateurs, outsiders, bombers, and artists, making it possible to research graffiti in a much less fragmented way.
topic graffiti
urban landscapes
public space
sense of place
urban art
url http://journals.openedition.org/belgeo/13062
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