Notes on a Certain Trend in Portuguese Cinema

The present essay examines how contemporary Portuguese cinema critically dialogues with the historical representations upon which mythical images of Portugal have been founded. Analyzing films by Manoel de Oliveira, Pedro Costa, and Miguel Gomes, the essay highlights how these filmmakers problematiz...

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Bibliographic Details
Main Author: António Preto
Format: Article
Language:English
Published: American Portuguese Studies Association (APSA) 2017-06-01
Series:Journal of Lusophone Studies
Subjects:
Online Access:https://jls.apsa.us/index.php/jls/article/view/156
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spelling doaj-1e8a3f6034724fa19dd130a4ed7d01232020-11-25T02:40:49ZengAmerican Portuguese Studies Association (APSA)Journal of Lusophone Studies2469-48002017-06-012110.21471/jls.v2i1.156119Notes on a Certain Trend in Portuguese CinemaAntónio Preto0Escola Superior Artística do Porto Centro de Estudos Arnaldo AraújoThe present essay examines how contemporary Portuguese cinema critically dialogues with the historical representations upon which mythical images of Portugal have been founded. Analyzing films by Manoel de Oliveira, Pedro Costa, and Miguel Gomes, the essay highlights how these filmmakers problematize, within a postcolonial perspective, the political sense of understanding modernity as a crisis of identity.https://jls.apsa.us/index.php/jls/article/view/156HistoryidentitypostcolonialismManoel de OliveiraMiguel GomesPedro Costa
collection DOAJ
language English
format Article
sources DOAJ
author António Preto
spellingShingle António Preto
Notes on a Certain Trend in Portuguese Cinema
Journal of Lusophone Studies
History
identity
postcolonialism
Manoel de Oliveira
Miguel Gomes
Pedro Costa
author_facet António Preto
author_sort António Preto
title Notes on a Certain Trend in Portuguese Cinema
title_short Notes on a Certain Trend in Portuguese Cinema
title_full Notes on a Certain Trend in Portuguese Cinema
title_fullStr Notes on a Certain Trend in Portuguese Cinema
title_full_unstemmed Notes on a Certain Trend in Portuguese Cinema
title_sort notes on a certain trend in portuguese cinema
publisher American Portuguese Studies Association (APSA)
series Journal of Lusophone Studies
issn 2469-4800
publishDate 2017-06-01
description The present essay examines how contemporary Portuguese cinema critically dialogues with the historical representations upon which mythical images of Portugal have been founded. Analyzing films by Manoel de Oliveira, Pedro Costa, and Miguel Gomes, the essay highlights how these filmmakers problematize, within a postcolonial perspective, the political sense of understanding modernity as a crisis of identity.
topic History
identity
postcolonialism
Manoel de Oliveira
Miguel Gomes
Pedro Costa
url https://jls.apsa.us/index.php/jls/article/view/156
work_keys_str_mv AT antoniopreto notesonacertaintrendinportuguesecinema
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