Following the rays of Kurahara Koreyoshi’s Black Sun. Negrophilia in Japanese cinema
This article explores two films by Kurahara Koreyoshi: Black Sun and Safari 5000, in the context of the scholars John Russell and Jonathan D. Mackintosh’s approaches to racism and so-called negrophilia in Japanese mass-culture and cinema. The authors argue that cultural stereotypes even have a negat...
| Main Authors: | , |
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| Format: | Article |
| Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2018-05-01
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| Series: | Przestrzenie Teorii |
| Subjects: | |
| Online Access: | https://pressto.amu.edu.pl/index.php/pt/article/view/12604 |
| Summary: | This article explores two films by Kurahara Koreyoshi: Black Sun and Safari 5000, in the context of the scholars John Russell and Jonathan D. Mackintosh’s approaches to racism and so-called negrophilia in Japanese mass-culture and cinema. The authors argue that cultural stereotypes even have a negative impact on the artistically original Japanese directors, who only seem to be independent and express their thoughts freely. |
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| ISSN: | 1644-6763 2450-5765 |