Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment

Although India itself has been an important source of information about the Indian identity for Western audiences, a specialized genre of desi media have also garnered more recognition in recent years. Desi films—movies created by and/or for South Asian immigrants—are capable of reaching large numbe...

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Main Author: Rekha Sharma
Format: Article
Language:English
Published: Saint Paul University 2011-01-01
Series:Global Media Journal: Canadian Edition
Subjects:
Online Access:http://www.gmj.uottawa.ca/1101/v4i1_sharma.pdf
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spelling doaj-1e54d405602e470182a849f77bc657022020-12-02T08:41:58ZengSaint Paul UniversityGlobal Media Journal: Canadian Edition1918-59012011-01-0141127143Desi Films: Articulating Images of South Asian Identity in a Global Communication EnvironmentRekha SharmaAlthough India itself has been an important source of information about the Indian identity for Western audiences, a specialized genre of desi media have also garnered more recognition in recent years. Desi films—movies created by and/or for South Asian immigrants—are capable of reaching large numbers of people regardless of their educational level, economic status, or linguistic proficiency. Most are produced in English or with English subtitles and are easily accessible in most areas, either in theatres, video rental stores, libraries, or via Internet movie sites. This paper examines Indian diasporic films as a vehicle for cultural articulation and debate. First, it provides a theoretical foundation of hegemony and resistance with regard to notions of ethnicity and immigrants’ articulations of identity in interstitial zones. Second, it discusses sources of hegemony from Indian and Western media. Third, it explores the creation of a hybrid identity as reflected in Indian diasporic films, pointing out some of the themes and conventions of this emerging genre.http://www.gmj.uottawa.ca/1101/v4i1_sharma.pdfDesi FilmsDiasporic CommunitiesEthnic IdentityHybrid IdentityIndian Immigrant FilmsMedia HegemonyResistanceSouth Asian Identity
collection DOAJ
language English
format Article
sources DOAJ
author Rekha Sharma
spellingShingle Rekha Sharma
Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
Global Media Journal: Canadian Edition
Desi Films
Diasporic Communities
Ethnic Identity
Hybrid Identity
Indian Immigrant Films
Media Hegemony
Resistance
South Asian Identity
author_facet Rekha Sharma
author_sort Rekha Sharma
title Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
title_short Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
title_full Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
title_fullStr Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
title_full_unstemmed Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment
title_sort desi films: articulating images of south asian identity in a global communication environment
publisher Saint Paul University
series Global Media Journal: Canadian Edition
issn 1918-5901
publishDate 2011-01-01
description Although India itself has been an important source of information about the Indian identity for Western audiences, a specialized genre of desi media have also garnered more recognition in recent years. Desi films—movies created by and/or for South Asian immigrants—are capable of reaching large numbers of people regardless of their educational level, economic status, or linguistic proficiency. Most are produced in English or with English subtitles and are easily accessible in most areas, either in theatres, video rental stores, libraries, or via Internet movie sites. This paper examines Indian diasporic films as a vehicle for cultural articulation and debate. First, it provides a theoretical foundation of hegemony and resistance with regard to notions of ethnicity and immigrants’ articulations of identity in interstitial zones. Second, it discusses sources of hegemony from Indian and Western media. Third, it explores the creation of a hybrid identity as reflected in Indian diasporic films, pointing out some of the themes and conventions of this emerging genre.
topic Desi Films
Diasporic Communities
Ethnic Identity
Hybrid Identity
Indian Immigrant Films
Media Hegemony
Resistance
South Asian Identity
url http://www.gmj.uottawa.ca/1101/v4i1_sharma.pdf
work_keys_str_mv AT rekhasharma desifilmsarticulatingimagesofsouthasianidentityinaglobalcommunicationenvironment
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