Dans le signe du son. Bruit, voix, corps et improvisation
Relying on Michel Foucault’s concept of genealogy, this paper offers two coupled thesis’ concerning improvisation in jazz. The first is a historical diagnosis: once the notion of a musical «work» (written and through-composed) has become the aesthetic paradigm to evaluate music in general, the (or...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2011-04-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/417 |