El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
TELEMME - UMR 6570
2011-04-01
|
Series: | Amnis |
Subjects: | |
Online Access: | http://journals.openedition.org/amnis/1195 |
id |
doaj-1e47370085744e88a4ca881a404be53d |
---|---|
record_format |
Article |
spelling |
doaj-1e47370085744e88a4ca881a404be53d2020-11-24T21:57:31ZengTELEMME - UMR 6570Amnis1764-71932011-04-011010.4000/amnis.1195El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)Igor Contreras ZubillagaThis article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music.http://journals.openedition.org/amnis/1195Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco! |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Igor Contreras Zubillaga |
spellingShingle |
Igor Contreras Zubillaga El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) Amnis Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco! |
author_facet |
Igor Contreras Zubillaga |
author_sort |
Igor Contreras Zubillaga |
title |
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
title_short |
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
title_full |
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
title_fullStr |
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
title_full_unstemmed |
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
title_sort |
el eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939) |
publisher |
TELEMME - UMR 6570 |
series |
Amnis |
issn |
1764-7193 |
publishDate |
2011-04-01 |
description |
This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music. |
topic |
Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco! |
url |
http://journals.openedition.org/amnis/1195 |
work_keys_str_mv |
AT igorcontreraszubillaga elecodelasbatallasmusicayguerraenelbandonacionaldurantelacontiendacivilespanola19361939 |
_version_ |
1725855107279486976 |