El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)

This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de...

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Main Author: Igor Contreras Zubillaga
Format: Article
Language:English
Published: TELEMME - UMR 6570 2011-04-01
Series:Amnis
Subjects:
Online Access:http://journals.openedition.org/amnis/1195
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spelling doaj-1e47370085744e88a4ca881a404be53d2020-11-24T21:57:31ZengTELEMME - UMR 6570Amnis1764-71932011-04-011010.4000/amnis.1195El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)Igor Contreras ZubillagaThis article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music.http://journals.openedition.org/amnis/1195Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco!
collection DOAJ
language English
format Article
sources DOAJ
author Igor Contreras Zubillaga
spellingShingle Igor Contreras Zubillaga
El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
Amnis
Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco!
author_facet Igor Contreras Zubillaga
author_sort Igor Contreras Zubillaga
title El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
title_short El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
title_full El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
title_fullStr El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
title_full_unstemmed El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
title_sort el eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)
publisher TELEMME - UMR 6570
series Amnis
issn 1764-7193
publishDate 2011-04-01
description This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music.
topic Music and War; Nemesio Otaño; Ernesto Halffter; Conrado del Campo; ¡Franco!
url http://journals.openedition.org/amnis/1195
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