Problemi di drammaturgia della danza
In dance, we are beginning to talk about dramaturgy from the end of the Nineties of the Twentieth Century, when Pina Bausch began to regularly make use of the collaboration of the dramaturg Raimund Hoghe. Unlike the theatrical tradition, within which the dramaturg has a role of mediator between sta...
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| Format: | Article |
| Language: | Italian |
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Edizioni di Pagina
2017-06-01
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| Series: | Il castello di Elsinore |
| Online Access: | https://ilcastellodielsinore.it/index.php/Elsinore/article/view/58 |
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doaj-1e3094fb58f94df48f5b1f3fa9f051ae2021-07-22T14:20:29ZitaEdizioni di PaginaIl castello di Elsinore0394-93892036-56242017-06-017610.13135/2036-5624/58Problemi di drammaturgia della danzaAlessandro Pontremoli0Università di Torino In dance, we are beginning to talk about dramaturgy from the end of the Nineties of the Twentieth Century, when Pina Bausch began to regularly make use of the collaboration of the dramaturg Raimund Hoghe. Unlike the theatrical tradition, within which the dramaturg has a role of mediator between stage and audience in the form of literary adviser of the director, the dramaturgy of dance inaugurates new processes closer to the post-dramatic theater and performance and influenced by postmodern dance studies. First, the essay investigates the effects and the feelings caused by the interaction between all the material involved in the composition of a danced performance and perceptive and cognitive ability of the spectators; secondly the essay explores the power relations that are established among the different actors of dance production (dancers, choreographers, curators, dramaturgs). https://ilcastellodielsinore.it/index.php/Elsinore/article/view/58 |
| collection |
DOAJ |
| language |
Italian |
| format |
Article |
| sources |
DOAJ |
| author |
Alessandro Pontremoli |
| spellingShingle |
Alessandro Pontremoli Problemi di drammaturgia della danza Il castello di Elsinore |
| author_facet |
Alessandro Pontremoli |
| author_sort |
Alessandro Pontremoli |
| title |
Problemi di drammaturgia della danza |
| title_short |
Problemi di drammaturgia della danza |
| title_full |
Problemi di drammaturgia della danza |
| title_fullStr |
Problemi di drammaturgia della danza |
| title_full_unstemmed |
Problemi di drammaturgia della danza |
| title_sort |
problemi di drammaturgia della danza |
| publisher |
Edizioni di Pagina |
| series |
Il castello di Elsinore |
| issn |
0394-9389 2036-5624 |
| publishDate |
2017-06-01 |
| description |
In dance, we are beginning to talk about dramaturgy from the end of the Nineties of the Twentieth Century, when Pina Bausch began to regularly make use of the collaboration of the dramaturg Raimund Hoghe. Unlike the theatrical tradition, within which the dramaturg has a role of mediator between stage and audience in the form of literary adviser of the director, the dramaturgy of dance inaugurates new processes closer to the post-dramatic theater and performance and influenced by postmodern dance studies. First, the essay investigates the effects and the feelings caused by the interaction between all the material involved in the composition of a danced performance and perceptive and cognitive ability of the spectators; secondly the essay explores the power relations that are established among the different actors of dance production (dancers, choreographers, curators, dramaturgs).
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| url |
https://ilcastellodielsinore.it/index.php/Elsinore/article/view/58 |
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