From a critical art to a socialist art: the itinerary of León Ferrari and Ricardo Carpany as a symptom of the historical transformations of the relationship between art and politics in Argentina (and Latin America) during the Sixties and Seventies
It would be difficult to attempt to understand the radicalisation of the Argentinean art scene in the time spanning from the late fifties to the early seventies without turning to the intellectual career of two artists: Ricardo Carpani and León Ferrari. Both men exercised a marked influence over the...
Main Author: | Jaime Vindel Gamonal |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad Complutense de Madrid
2013-04-01
|
Series: | Anales de Historia del Arte |
Subjects: | |
Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/41329 |
Similar Items
-
For a semiotic art : “de-habituation” and “discontinuity” in argentine art of the sixties and seventies
by: Jaime Vindel Gamonal
Published: (2014-10-01) -
La Vanguardia En Latinoamérica Problemas De Recepción
by: Sergio Vergara Alarcón
Published: (1999-03-01) -
Modernidad perversa
by: Keren Gerwer
Published: (2012-06-01) -
Thinking from the Body: New Theater in El Salvador in the 1970s
by: Ricardo Roque Baldovinos
Published: (2020-01-01) -
Political art or a policy of art: the small subjects in the art of León Ferrari (Argentina).
by: Emerson Dionísio Gomes de Oliveira
Published: (2007-12-01)