Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody

This article examines parody in medieval literature and in folk literature and culture up to the 19th century. It analyses sacred parody (Bible parody), its significant aspects and role in literature and culture. The study focuses primarily on Cena Cypriani and Mesiáš přišel na svět pravdivý [The...

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Main Author: Kateřina Smyčková
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická fakulta 2019-06-01
Series:Slovo a Smysl
Subjects:
Online Access:https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2019/09/Katerina_Smyckova_15-24.pdf
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spelling doaj-1e0885d4a1484fc2bf1820468647785d2020-11-25T02:11:05ZcesUniverzita Karlova, Filozofická fakultaSlovo a Smysl1214-79152336-66802019-06-011631152410.14712/23366680.2019.1.1Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) ParodyKateřina Smyčková0Katedra české literatury a literární vědy Filozofické fakulty Ostravské univerzityThis article examines parody in medieval literature and in folk literature and culture up to the 19th century. It analyses sacred parody (Bible parody), its significant aspects and role in literature and culture. The study focuses primarily on Cena Cypriani and Mesiáš přišel na svět pravdivý [The True Messiah Has Come into the World]. The Cena Cypriani is an anonymous prose work written in Latin. The text was probably written around 400 and tells the story of a banquet held at Cana in Galilee, where a king invites many biblical figures to attend a wedding. The song Mesiáš přišel na svět pravdivý is written in Czech, comes from the 18th century and narrates the story of a wedding feast at Cana. This article examines the origin of the song Mesiáš přišel na svět pravdivý and its dissemination throughout central Europe (in Slavic literatures, primarily in Polish).https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2019/09/Katerina_Smyckova_15-24.pdfCena Cyprianistředověká literaturaparodymedieval literaturefolk culture
collection DOAJ
language ces
format Article
sources DOAJ
author Kateřina Smyčková
spellingShingle Kateřina Smyčková
Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
Slovo a Smysl
Cena Cypriani
středověká literatura
parody
medieval literature
folk culture
author_facet Kateřina Smyčková
author_sort Kateřina Smyčková
title Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
title_short Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
title_full Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
title_fullStr Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
title_full_unstemmed Dvě hostiny a (středověká) parodie | Two Banquets and (Medieval) Parody
title_sort dvě hostiny a (středověká) parodie | two banquets and (medieval) parody
publisher Univerzita Karlova, Filozofická fakulta
series Slovo a Smysl
issn 1214-7915
2336-6680
publishDate 2019-06-01
description This article examines parody in medieval literature and in folk literature and culture up to the 19th century. It analyses sacred parody (Bible parody), its significant aspects and role in literature and culture. The study focuses primarily on Cena Cypriani and Mesiáš přišel na svět pravdivý [The True Messiah Has Come into the World]. The Cena Cypriani is an anonymous prose work written in Latin. The text was probably written around 400 and tells the story of a banquet held at Cana in Galilee, where a king invites many biblical figures to attend a wedding. The song Mesiáš přišel na svět pravdivý is written in Czech, comes from the 18th century and narrates the story of a wedding feast at Cana. This article examines the origin of the song Mesiáš přišel na svět pravdivý and its dissemination throughout central Europe (in Slavic literatures, primarily in Polish).
topic Cena Cypriani
středověká literatura
parody
medieval literature
folk culture
url https://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2019/09/Katerina_Smyckova_15-24.pdf
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