Digital Engagement in a Contemporary Art Gallery: Transforming Audiences
This paper examines a curatorial approach to digital art that acknowledges the symbiotic relationship between the digital and other more traditional art practices. It considers some of the issues that arise when digital content is delivered within a public gallery and how specialist knowledge, audie...
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Online Access: | https://www.mdpi.com/2076-0752/8/3/90 |
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doaj-1db276da2de2493193dffd023ecc08562020-11-24T21:33:41ZengMDPI AGArts2076-07522019-07-01839010.3390/arts8030090arts8030090Digital Engagement in a Contemporary Art Gallery: Transforming AudiencesClare Harding0Susan Liggett1Mark Lochrie2North Wales School of Art & Design, Wrexham Glyndŵr University, Wrexham LL11 2AW, UKMedia Art and Design Research Centre, Wrexham Glyndŵr University, Wrexham LL11 2AW, UKMedia Innovation Studio, University of Central Lancashire, Lancashire PR1 2HE, UKThis paper examines a curatorial approach to digital art that acknowledges the symbiotic relationship between the digital and other more traditional art practices. It considers some of the issues that arise when digital content is delivered within a public gallery and how specialist knowledge, audience expectations and funding impact on current practices. From the perspective of the Digital Curator at MOSTYN, a contemporary gallery and visual arts centre in Llandudno, North Wales, it outlines the practical challenges and approaches taken to define what audiences want from a public art gallery. Human-centred design processes and activity systems analysis were adopted by MOSTYN with a community of practice—the gallery visitors—to explore the challenges of integrating digital technologies effectively within their curatorial programme and keep up with the pace of change needed today. MOSTYN’s aim is to consider digital holistically within their exhibition programme and within the cannon of 21st century contemporary art practice. Digital curation is at the heart of their model of engagement that offers new and existing audience insights into the significance of digital art within contemporary art practice.https://www.mdpi.com/2076-0752/8/3/90contemporary artdigital shiftchallengesinterdisciplinaryengagementdigital researchcuratorshuman-centred design |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Clare Harding Susan Liggett Mark Lochrie |
spellingShingle |
Clare Harding Susan Liggett Mark Lochrie Digital Engagement in a Contemporary Art Gallery: Transforming Audiences Arts contemporary art digital shift challenges interdisciplinary engagement digital research curators human-centred design |
author_facet |
Clare Harding Susan Liggett Mark Lochrie |
author_sort |
Clare Harding |
title |
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences |
title_short |
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences |
title_full |
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences |
title_fullStr |
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences |
title_full_unstemmed |
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences |
title_sort |
digital engagement in a contemporary art gallery: transforming audiences |
publisher |
MDPI AG |
series |
Arts |
issn |
2076-0752 |
publishDate |
2019-07-01 |
description |
This paper examines a curatorial approach to digital art that acknowledges the symbiotic relationship between the digital and other more traditional art practices. It considers some of the issues that arise when digital content is delivered within a public gallery and how specialist knowledge, audience expectations and funding impact on current practices. From the perspective of the Digital Curator at MOSTYN, a contemporary gallery and visual arts centre in Llandudno, North Wales, it outlines the practical challenges and approaches taken to define what audiences want from a public art gallery. Human-centred design processes and activity systems analysis were adopted by MOSTYN with a community of practice—the gallery visitors—to explore the challenges of integrating digital technologies effectively within their curatorial programme and keep up with the pace of change needed today. MOSTYN’s aim is to consider digital holistically within their exhibition programme and within the cannon of 21st century contemporary art practice. Digital curation is at the heart of their model of engagement that offers new and existing audience insights into the significance of digital art within contemporary art practice. |
topic |
contemporary art digital shift challenges interdisciplinary engagement digital research curators human-centred design |
url |
https://www.mdpi.com/2076-0752/8/3/90 |
work_keys_str_mv |
AT clareharding digitalengagementinacontemporaryartgallerytransformingaudiences AT susanliggett digitalengagementinacontemporaryartgallerytransformingaudiences AT marklochrie digitalengagementinacontemporaryartgallerytransformingaudiences |
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