Un glossario per Ugo Nespolo

What follows is a kind of short “glossary” that aims to address the main issues that the viewer can find standing in front of the complex and varied creative production of Ugo Nespolo. The sequence of these items, or reading notes, despite being fairly free and non-systematic (and only partly chrono...

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Main Author: Francesco Poli
Format: Article
Language:English
Published: Rosenberg & Sellier 2015-04-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/2275
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spelling doaj-1da02852ab1a4c168fea99d43c9fe1532020-11-25T01:51:42ZengRosenberg & SellierRivista di Estetica0035-62122421-58642015-04-01617110.4000/estetica.2275Un glossario per Ugo NespoloFrancesco PoliWhat follows is a kind of short “glossary” that aims to address the main issues that the viewer can find standing in front of the complex and varied creative production of Ugo Nespolo. The sequence of these items, or reading notes, despite being fairly free and non-systematic (and only partly chronological) in all respects the internal logic of the Nespolo’s research. A search that has developed and articulated over time in many directions but that has always maintained its extremely consistent identity. In this sense, each item is linked to the others, forming a network of references aimed to a satisfactory overview.http://journals.openedition.org/estetica/2275
collection DOAJ
language English
format Article
sources DOAJ
author Francesco Poli
spellingShingle Francesco Poli
Un glossario per Ugo Nespolo
Rivista di Estetica
author_facet Francesco Poli
author_sort Francesco Poli
title Un glossario per Ugo Nespolo
title_short Un glossario per Ugo Nespolo
title_full Un glossario per Ugo Nespolo
title_fullStr Un glossario per Ugo Nespolo
title_full_unstemmed Un glossario per Ugo Nespolo
title_sort un glossario per ugo nespolo
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2015-04-01
description What follows is a kind of short “glossary” that aims to address the main issues that the viewer can find standing in front of the complex and varied creative production of Ugo Nespolo. The sequence of these items, or reading notes, despite being fairly free and non-systematic (and only partly chronological) in all respects the internal logic of the Nespolo’s research. A search that has developed and articulated over time in many directions but that has always maintained its extremely consistent identity. In this sense, each item is linked to the others, forming a network of references aimed to a satisfactory overview.
url http://journals.openedition.org/estetica/2275
work_keys_str_mv AT francescopoli unglossarioperugonespolo
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