Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier

This paper undertakes to read Rebecca West's first novel, The Return of the Soldier (1918), as a critical exploration of masculine trauma on the one hand and an ambivalent engagement with Freudian psychoanalysis on the other. The novel proves interesting as a site in which two shifting cultur...

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Main Author: Misha Kavka
Format: Article
Language:English
Published: New Prairie Press 1998-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol22/iss1/8
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spelling doaj-1cf987ebf909403385fe487462d916012020-11-25T01:11:19ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151998-01-0122110.4148/2334-4415.14375673347Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the SoldierMisha KavkaThis paper undertakes to read Rebecca West's first novel, The Return of the Soldier (1918), as a critical exploration of masculine trauma on the one hand and an ambivalent engagement with Freudian psychoanalysis on the other. The novel proves interesting as a site in which two shifting cultural contexts intersect: the wartime culture of England facing the "shell shock" of its men, and the contemporaneous infusion of English intellectual culture with psychoanalytic ideas. Though the effects of new war technology and "a newer kind of doctor," West challenge existing notions of stable masculinity, West maintains that masculinity has all along been simply a construct, a shell built around inarticulable trauma. The fact that in this novel West, despite her early pugnaciously feminist journalism, remains as much within the masculine order as critical of it forces us to expand our notions of the forms feminist narrative can take. This paper argues that the novel is a feminist narrative in the sense that it positions masculine trauma as a mark of adherence to the social order for both men and women.http://newprairiepress.org/sttcl/vol22/iss1/8
collection DOAJ
language English
format Article
sources DOAJ
author Misha Kavka
spellingShingle Misha Kavka
Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
Studies in 20th & 21st Century Literature
author_facet Misha Kavka
author_sort Misha Kavka
title Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
title_short Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
title_full Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
title_fullStr Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
title_full_unstemmed Men in (Shell-)Shock: Masculinity, Trauma, and Psychoanalysis in Rebecca West's The Return of the Soldier
title_sort men in (shell-)shock: masculinity, trauma, and psychoanalysis in rebecca west's the return of the soldier
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 1998-01-01
description This paper undertakes to read Rebecca West's first novel, The Return of the Soldier (1918), as a critical exploration of masculine trauma on the one hand and an ambivalent engagement with Freudian psychoanalysis on the other. The novel proves interesting as a site in which two shifting cultural contexts intersect: the wartime culture of England facing the "shell shock" of its men, and the contemporaneous infusion of English intellectual culture with psychoanalytic ideas. Though the effects of new war technology and "a newer kind of doctor," West challenge existing notions of stable masculinity, West maintains that masculinity has all along been simply a construct, a shell built around inarticulable trauma. The fact that in this novel West, despite her early pugnaciously feminist journalism, remains as much within the masculine order as critical of it forces us to expand our notions of the forms feminist narrative can take. This paper argues that the novel is a feminist narrative in the sense that it positions masculine trauma as a mark of adherence to the social order for both men and women.
url http://newprairiepress.org/sttcl/vol22/iss1/8
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