Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah

Chimamanda Ngozi Adichie’s novel Americanah provides provocative reflections on intertextuality and becoming by exploring the potentially transformative power of “blog-writing.” Through a combined reading of Mayra Rivera’s Poetics of the Flesh and Adichie’s Americanah, this article details intersect...

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Main Author: Fiona Darroch
Format: Article
Language:English
Published: Lodz University Press 2020-11-01
Series:Text Matters
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/textmatters/article/view/8663
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spelling doaj-1ce5abf701b8459592b3f9a02eacf4862020-12-16T16:21:54ZengLodz University PressText Matters2083-29312084-574X2020-11-011013515010.18778/2083-2931.10.088549Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s AmericanahFiona Darroch0https://orcid.org/0000-0003-4424-2506University of StirlingChimamanda Ngozi Adichie’s novel Americanah provides provocative reflections on intertextuality and becoming by exploring the potentially transformative power of “blog-writing.” Through a combined reading of Mayra Rivera’s Poetics of the Flesh and Adichie’s Americanah, this article details intersections between the virtual and the material; writing in the (imagined “other-wordly”) blogosphere about the organic matter of hair. The narrator of the novel, Ifemelu, establishes a blog after she shares her story to decide to stop using relaxants and to allow her hair to be natural, via an online chat-room; she refuses to go through ritual performances in order to succeed as a migrant in America. In this article I argue that Adichie’s detailing of Ifemelu’s relationship with her hair explores the way in which creative practice, or poetics, is intimately connected to the journey of our flesh; social history is marked on our bodies. The blog becomes a confessional which details the demeaning effect that social constructions of race have had on her body. But the blog ultimately becomes self-destructive. It is only when Ifemelu returns to Nigeria that she embodies the transformative and cathartic power of contemporary modes of story-telling, and where she is finally able to “spin herself into being.”https://czasopisma.uni.lodz.pl/textmatters/article/view/8663adichietheopoeticsmaterialityhairblog-writing
collection DOAJ
language English
format Article
sources DOAJ
author Fiona Darroch
spellingShingle Fiona Darroch
Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
Text Matters
adichie
theopoetics
materiality
hair
blog-writing
author_facet Fiona Darroch
author_sort Fiona Darroch
title Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
title_short Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
title_full Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
title_fullStr Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
title_full_unstemmed Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
title_sort journeys of becoming: hair, the blogosphere and theopoetics in chimamanda ngozi adichie’s americanah
publisher Lodz University Press
series Text Matters
issn 2083-2931
2084-574X
publishDate 2020-11-01
description Chimamanda Ngozi Adichie’s novel Americanah provides provocative reflections on intertextuality and becoming by exploring the potentially transformative power of “blog-writing.” Through a combined reading of Mayra Rivera’s Poetics of the Flesh and Adichie’s Americanah, this article details intersections between the virtual and the material; writing in the (imagined “other-wordly”) blogosphere about the organic matter of hair. The narrator of the novel, Ifemelu, establishes a blog after she shares her story to decide to stop using relaxants and to allow her hair to be natural, via an online chat-room; she refuses to go through ritual performances in order to succeed as a migrant in America. In this article I argue that Adichie’s detailing of Ifemelu’s relationship with her hair explores the way in which creative practice, or poetics, is intimately connected to the journey of our flesh; social history is marked on our bodies. The blog becomes a confessional which details the demeaning effect that social constructions of race have had on her body. But the blog ultimately becomes self-destructive. It is only when Ifemelu returns to Nigeria that she embodies the transformative and cathartic power of contemporary modes of story-telling, and where she is finally able to “spin herself into being.”
topic adichie
theopoetics
materiality
hair
blog-writing
url https://czasopisma.uni.lodz.pl/textmatters/article/view/8663
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