Monuments flaubertiens
In this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combina...
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Series: | Flaubert: Revue Critique et Génétique |
Online Access: | http://journals.openedition.org/flaubert/3944 |
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doaj-1c4c8111976540b58b7a426a3a5b5f472020-11-25T01:22:00ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912019-12-0122Monuments flaubertiensVéronique SamsonIn this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis.http://journals.openedition.org/flaubert/3944 |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Véronique Samson |
spellingShingle |
Véronique Samson Monuments flaubertiens Flaubert: Revue Critique et Génétique |
author_facet |
Véronique Samson |
author_sort |
Véronique Samson |
title |
Monuments flaubertiens |
title_short |
Monuments flaubertiens |
title_full |
Monuments flaubertiens |
title_fullStr |
Monuments flaubertiens |
title_full_unstemmed |
Monuments flaubertiens |
title_sort |
monuments flaubertiens |
publisher |
Institut des Textes & Manuscrits Modernes (ITEM) |
series |
Flaubert: Revue Critique et Génétique |
issn |
1969-6191 |
publishDate |
2019-12-01 |
description |
In this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis. |
url |
http://journals.openedition.org/flaubert/3944 |
work_keys_str_mv |
AT veroniquesamson monumentsflaubertiens |
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1725128328537440256 |