An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions

To think about Brazilian cinema history and black women as one, still sounds like a very distant thing, due to the erasure of these female film productor in our country's history. This article was initiated from the concerns that have arisen when EBC's (Empresa Brasileira de Comunicação) a...

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Main Authors: Bárbara Cezano Rody, Larissa Patron Chaves
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2020-07-01
Series:Revista Gearte
Subjects:
Online Access:https://seer.ufrgs.br/gearte/article/view/100752
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spelling doaj-1c2d895942734d5ba6ca951ff0bf90452021-07-01T16:01:01ZengUniversidade Federal do Rio Grande do SulRevista Gearte2357-98542020-07-017210.22456/2357-9854.10075244268An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productionsBárbara Cezano Rody0Larissa Patron Chaves1Universidade Federal de Pelotas — UFPel, Pelotas/RSUniversidade Federal de Pelotas — UFPel, Pelotas/RSTo think about Brazilian cinema history and black women as one, still sounds like a very distant thing, due to the erasure of these female film productor in our country's history. This article was initiated from the concerns that have arisen when EBC's (Empresa Brasileira de Comunicação) aired news about women participation as filmmakers and also about the lack of visibility of black female filmmakers participation in this scenario. Didn’t these women actually exist in this scenario, or is this another consequence of our bodies invisibility?https://seer.ufrgs.br/gearte/article/view/100752mulheres negras. cinema. visibilidade. cineastas negras. estética.
collection DOAJ
language English
format Article
sources DOAJ
author Bárbara Cezano Rody
Larissa Patron Chaves
spellingShingle Bárbara Cezano Rody
Larissa Patron Chaves
An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
Revista Gearte
mulheres negras. cinema. visibilidade. cineastas negras. estética.
author_facet Bárbara Cezano Rody
Larissa Patron Chaves
author_sort Bárbara Cezano Rody
title An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
title_short An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
title_full An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
title_fullStr An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
title_full_unstemmed An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions
title_sort aesthetic of violence present in brazilian cinema and the erasure of black women in audiovisual productions
publisher Universidade Federal do Rio Grande do Sul
series Revista Gearte
issn 2357-9854
publishDate 2020-07-01
description To think about Brazilian cinema history and black women as one, still sounds like a very distant thing, due to the erasure of these female film productor in our country's history. This article was initiated from the concerns that have arisen when EBC's (Empresa Brasileira de Comunicação) aired news about women participation as filmmakers and also about the lack of visibility of black female filmmakers participation in this scenario. Didn’t these women actually exist in this scenario, or is this another consequence of our bodies invisibility?
topic mulheres negras. cinema. visibilidade. cineastas negras. estética.
url https://seer.ufrgs.br/gearte/article/view/100752
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