In a Romanesque Maze of Enes Karić

In the romancer magnum opus of Enes Karić, consisting of five novels – Pjesme divljih ptica (2009), Jevrejsko groblje (2011), Slučajno čovjek (2013), Boje višnje (2017) i Bogovo roblje (2020) – questions arise from humanistic and Islamic theological-philosophical perspective considering harmony and...

Full description

Bibliographic Details
Main Author: Irma Marić
Format: Article
Language:Bosnian
Published: University of Tuzla, Faculty of Humanities and Social Sciences 2021-05-01
Series:Društvene i Humanističke Studije
Subjects:
Online Access:http://www.dhs.ff.untz.ba/index.php/home/article/view/510
id doaj-1c1f137f05834009a8c8d4a51e89c91a
record_format Article
spelling doaj-1c1f137f05834009a8c8d4a51e89c91a2021-05-10T13:32:07ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije 2490-36042490-36472021-05-0162(15)516210.51558/2490-3647.2021.6.2.51417In a Romanesque Maze of Enes KarićIrma Marić0Dzemal Bijedic University of Mostar, Faculty of HumanitiesIn the romancer magnum opus of Enes Karić, consisting of five novels – Pjesme divljih ptica (2009), Jevrejsko groblje (2011), Slučajno čovjek (2013), Boje višnje (2017) i Bogovo roblje (2020) – questions arise from humanistic and Islamic theological-philosophical perspective considering harmony and disharmony from the internal, that is, spiritual transformation and external establishing of the identity. In the poetics of Karić’s narrative fiction, we can recognize the tradition of Andrić-Selimović model of narration, where we can follow spirituality and knowledge through road signs of central protagonists of his prose. These two fundamental categories rise over and integrate status and other special features of Karić’s characters into believable structural-compositional units. And all of them are somehow spherically connected; they are united by the author’s tendency to use their life actions to verify his ecumenical, intercultural and interreligious thoughts.http://www.dhs.ff.untz.ba/index.php/home/article/view/510religionidentitycultureecumenismnarrationnovels with a thesis
collection DOAJ
language Bosnian
format Article
sources DOAJ
author Irma Marić
spellingShingle Irma Marić
In a Romanesque Maze of Enes Karić
Društvene i Humanističke Studije
religion
identity
culture
ecumenism
narration
novels with a thesis
author_facet Irma Marić
author_sort Irma Marić
title In a Romanesque Maze of Enes Karić
title_short In a Romanesque Maze of Enes Karić
title_full In a Romanesque Maze of Enes Karić
title_fullStr In a Romanesque Maze of Enes Karić
title_full_unstemmed In a Romanesque Maze of Enes Karić
title_sort in a romanesque maze of enes karić
publisher University of Tuzla, Faculty of Humanities and Social Sciences
series Društvene i Humanističke Studije
issn 2490-3604
2490-3647
publishDate 2021-05-01
description In the romancer magnum opus of Enes Karić, consisting of five novels – Pjesme divljih ptica (2009), Jevrejsko groblje (2011), Slučajno čovjek (2013), Boje višnje (2017) i Bogovo roblje (2020) – questions arise from humanistic and Islamic theological-philosophical perspective considering harmony and disharmony from the internal, that is, spiritual transformation and external establishing of the identity. In the poetics of Karić’s narrative fiction, we can recognize the tradition of Andrić-Selimović model of narration, where we can follow spirituality and knowledge through road signs of central protagonists of his prose. These two fundamental categories rise over and integrate status and other special features of Karić’s characters into believable structural-compositional units. And all of them are somehow spherically connected; they are united by the author’s tendency to use their life actions to verify his ecumenical, intercultural and interreligious thoughts.
topic religion
identity
culture
ecumenism
narration
novels with a thesis
url http://www.dhs.ff.untz.ba/index.php/home/article/view/510
work_keys_str_mv AT irmamaric inaromanesquemazeofeneskaric
_version_ 1721453115791638528