The concept of rhythm in the play
The training of great importance in the play, in building optic and intellectual broadcast codes tags, and then comes after the recipient at the reception of such codes and decoded tags, and is the rhythm, the color of the most important elements of configuration, consistent with other elements, Ka...
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| Format: | Article |
| Language: | Arabic |
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College of Fine Arts / University of Baghdad
2016-10-01
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| Series: | الاكاديمي |
| Online Access: | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/304 |
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doaj-1bf849db76fe4ee4b4a33b99544376102021-03-27T14:04:02ZaraCollege of Fine Arts / University of Baghdadالاكاديمي1819-52292523-20292016-10-018110.35560/jcofarts81/121-132The concept of rhythm in the playFalah Khadim Hussain0University Of Baghdad-College Of Fine Arts The training of great importance in the play, in building optic and intellectual broadcast codes tags, and then comes after the recipient at the reception of such codes and decoded tags, and is the rhythm, the color of the most important elements of configuration, consistent with other elements, Kaltmathl, and focus, and harmony, and dissonance https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/304 |
| collection |
DOAJ |
| language |
Arabic |
| format |
Article |
| sources |
DOAJ |
| author |
Falah Khadim Hussain |
| spellingShingle |
Falah Khadim Hussain The concept of rhythm in the play الاكاديمي |
| author_facet |
Falah Khadim Hussain |
| author_sort |
Falah Khadim Hussain |
| title |
The concept of rhythm in the play |
| title_short |
The concept of rhythm in the play |
| title_full |
The concept of rhythm in the play |
| title_fullStr |
The concept of rhythm in the play |
| title_full_unstemmed |
The concept of rhythm in the play |
| title_sort |
concept of rhythm in the play |
| publisher |
College of Fine Arts / University of Baghdad |
| series |
الاكاديمي |
| issn |
1819-5229 2523-2029 |
| publishDate |
2016-10-01 |
| description |
The training of great importance in the play, in building optic and intellectual broadcast codes tags, and then comes after the recipient at the reception of such codes and decoded tags, and is the rhythm, the color of the most important elements of configuration, consistent with other elements, Kaltmathl, and focus, and harmony, and dissonance
|
| url |
https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/304 |
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AT falahkhadimhussain theconceptofrhythmintheplay AT falahkhadimhussain conceptofrhythmintheplay |
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