Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure

There is a stable relationship between the Openness/Intellect domain of personality and aesthetic engagement. However, neither of these are simple constructs and while the relationship exists process based evidence explaining the relationship is still lacking. The current research looked to clarify...

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Main Authors: Kirill eFayn, Carolyn eMacCann, Niko eTiliopoulos, Paul J. Silvia
Format: Article
Language:English
Published: Frontiers Media S.A. 2015-12-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01877/full
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spelling doaj-1b2d7dc2aa5a4e819a29504789f3f2d52020-11-24T20:41:23ZengFrontiers Media S.A.Frontiers in Psychology1664-10782015-12-01610.3389/fpsyg.2015.01877155597Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and PleasureKirill eFayn0Carolyn eMacCann1Niko eTiliopoulos2Paul J. Silvia3University of SydneyUniversity of SydneyUniversity of SydneyUniversity of North Carolina at GreensboroThere is a stable relationship between the Openness/Intellect domain of personality and aesthetic engagement. However, neither of these are simple constructs and while the relationship exists process based evidence explaining the relationship is still lacking. The current research looked to clarify the relationship by evaluating the influence of the Openness and Intellect aspects on several different aesthetic emotions. Two studies looked at the between- and within-person differences in the emotions of interest, pleasure and confusion in response to visual art. The results suggest that Openness, as opposed to Intellect, was predictive of greater interest and pleasure, while both aspects explained less confusion. Differences in Openness were associated with within-person emotion appraisal contingencies, particularly greater novelty-interest and novelty-pleasure relationships. Those higher in Openness were particularly influenced by novelty in artworks. For pleasure this relationship suggested a different qualitative structure of appraisals. The appraisal of novelty is part of the experience of pleasure for those high in Openness, but not those low in Openness. This research supports the utility of studying Openness and Intellect as separate aspects of the broad domain and clarifies the relationship between Openness and aesthetic states in terms of within-person appraisal processes.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01877/fullaestheticsAppraisalsInterestmulti-level modellingpersonality processesOpenness/Intellect
collection DOAJ
language English
format Article
sources DOAJ
author Kirill eFayn
Carolyn eMacCann
Niko eTiliopoulos
Paul J. Silvia
spellingShingle Kirill eFayn
Carolyn eMacCann
Niko eTiliopoulos
Paul J. Silvia
Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
Frontiers in Psychology
aesthetics
Appraisals
Interest
multi-level modelling
personality processes
Openness/Intellect
author_facet Kirill eFayn
Carolyn eMacCann
Niko eTiliopoulos
Paul J. Silvia
author_sort Kirill eFayn
title Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
title_short Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
title_full Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
title_fullStr Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
title_full_unstemmed Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure
title_sort aesthetic emotions and aesthetic people: openness predicts sensitivity to novelty in the experiences of interest and pleasure
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2015-12-01
description There is a stable relationship between the Openness/Intellect domain of personality and aesthetic engagement. However, neither of these are simple constructs and while the relationship exists process based evidence explaining the relationship is still lacking. The current research looked to clarify the relationship by evaluating the influence of the Openness and Intellect aspects on several different aesthetic emotions. Two studies looked at the between- and within-person differences in the emotions of interest, pleasure and confusion in response to visual art. The results suggest that Openness, as opposed to Intellect, was predictive of greater interest and pleasure, while both aspects explained less confusion. Differences in Openness were associated with within-person emotion appraisal contingencies, particularly greater novelty-interest and novelty-pleasure relationships. Those higher in Openness were particularly influenced by novelty in artworks. For pleasure this relationship suggested a different qualitative structure of appraisals. The appraisal of novelty is part of the experience of pleasure for those high in Openness, but not those low in Openness. This research supports the utility of studying Openness and Intellect as separate aspects of the broad domain and clarifies the relationship between Openness and aesthetic states in terms of within-person appraisal processes.
topic aesthetics
Appraisals
Interest
multi-level modelling
personality processes
Openness/Intellect
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01877/full
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AT nikoetiliopoulos aestheticemotionsandaestheticpeopleopennesspredictssensitivitytonoveltyintheexperiencesofinterestandpleasure
AT pauljsilvia aestheticemotionsandaestheticpeopleopennesspredictssensitivitytonoveltyintheexperiencesofinterestandpleasure
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