The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th)
The paper reviews Trediakovsky’s “dilogy” [1], devoted to the engagement (1729) and marriage (1730) of A. B. Kurakin and A. I. Panina, and Lomonosov’s “Ode on the Day of the Marriage of Their Imperial Highnesses the Sovereign Grand Duke Peter Feodorovich and Grand Duchess Catherine, 1745”. Much of t...
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2018-01-01
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Online Access: | https://doi.org/10.1051/shsconf/20185504013 |
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doaj-1aebe949a90f408b8d972797e3c2c84f2021-04-02T14:50:01ZengEDP SciencesSHS Web of Conferences2261-24242018-01-01550401310.1051/shsconf/20185504013shsconf_icpse2018_04013The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th)Rudakova Svetlana0Abramzon Tatiana1Kolesnikova Olga2Nosov Magnitogorsk State Technical UniversityNosov Magnitogorsk State Technical UniversityNosov Magnitogorsk State Technical UniversityThe paper reviews Trediakovsky’s “dilogy” [1], devoted to the engagement (1729) and marriage (1730) of A. B. Kurakin and A. I. Panina, and Lomonosov’s “Ode on the Day of the Marriage of Their Imperial Highnesses the Sovereign Grand Duke Peter Feodorovich and Grand Duchess Catherine, 1745”. Much of the mythopoetic concept of epithalamium as lyric-dramatic genre proposed by Trediakovsky will be perceived by Lomonosov and by later writers through him. The principal innovations made by Lomonosov in epithalamic genre, became his mythological and political content and submission to the form of a solemn ode. The ode of 1745 by Lomonosov is the really conceptual ode. The phenomenon of the Royal marriage with explanation of its reasons is considered in it. The dual – erotico-political – ideological complex developed by Lomonosov and the corresponding “common places” of epithalamic odes will be crucial for poets until the end of the 18th century.https://doi.org/10.1051/shsconf/20185504013 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Rudakova Svetlana Abramzon Tatiana Kolesnikova Olga |
spellingShingle |
Rudakova Svetlana Abramzon Tatiana Kolesnikova Olga The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) SHS Web of Conferences |
author_facet |
Rudakova Svetlana Abramzon Tatiana Kolesnikova Olga |
author_sort |
Rudakova Svetlana |
title |
The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) |
title_short |
The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) |
title_full |
The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) |
title_fullStr |
The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) |
title_full_unstemmed |
The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730th – 1740th) |
title_sort |
epithalamic verses by m. v. lomonosov and v. k. trediakovsky (1730th – 1740th) |
publisher |
EDP Sciences |
series |
SHS Web of Conferences |
issn |
2261-2424 |
publishDate |
2018-01-01 |
description |
The paper reviews Trediakovsky’s “dilogy” [1], devoted to the engagement (1729) and marriage (1730) of A. B. Kurakin and A. I. Panina, and Lomonosov’s “Ode on the Day of the Marriage of Their Imperial Highnesses the Sovereign Grand Duke Peter Feodorovich and Grand Duchess Catherine, 1745”. Much of the mythopoetic concept of epithalamium as lyric-dramatic genre proposed by Trediakovsky will be perceived by Lomonosov and by later writers through him. The principal innovations made by Lomonosov in epithalamic genre, became his mythological and political content and submission to the form of a solemn ode. The ode of 1745 by Lomonosov is the really conceptual ode. The phenomenon of the Royal marriage with explanation of its reasons is considered in it. The dual – erotico-political – ideological complex developed by Lomonosov and the corresponding “common places” of epithalamic odes will be crucial for poets until the end of the 18th century. |
url |
https://doi.org/10.1051/shsconf/20185504013 |
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