« The show must go on » ou comment ralentir la chute

This article analyses the three behind-the-scenes shows created by Aaron Sorkin, Sports Night, Studio 60 on the Sunset Strip and The Newsroom, especially their ability to last. By adopting a descriptive angle (how does a TV show work? what are its economic constraints?), they have adopted a short-ra...

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Bibliographic Details
Main Author: Laure Depretto
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2015-06-01
Series:TV Series
Online Access:http://journals.openedition.org/tvseries/282
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spelling doaj-1ac7571cdfc145a89a88ddf71aed0a052020-11-24T21:17:45ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092015-06-01710.4000/tvseries.282« The show must go on » ou comment ralentir la chuteLaure DeprettoThis article analyses the three behind-the-scenes shows created by Aaron Sorkin, Sports Night, Studio 60 on the Sunset Strip and The Newsroom, especially their ability to last. By adopting a descriptive angle (how does a TV show work? what are its economic constraints?), they have adopted a short-range tension instead of a long-term suspense (will the characters complete their show in time?). First we will study the three pilots which are launching an identical story arc (i.e., the tension between quality and profit), then the narrative techniques the three series use to slow down or accelerate the ending. By doing so, we will examine the serial and cyclic nature of these series as well as the various strategies enabling them to last or start anew, including the insertion of sideways suspense stories.http://journals.openedition.org/tvseries/282
collection DOAJ
language English
format Article
sources DOAJ
author Laure Depretto
spellingShingle Laure Depretto
« The show must go on » ou comment ralentir la chute
TV Series
author_facet Laure Depretto
author_sort Laure Depretto
title « The show must go on » ou comment ralentir la chute
title_short « The show must go on » ou comment ralentir la chute
title_full « The show must go on » ou comment ralentir la chute
title_fullStr « The show must go on » ou comment ralentir la chute
title_full_unstemmed « The show must go on » ou comment ralentir la chute
title_sort « the show must go on » ou comment ralentir la chute
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2015-06-01
description This article analyses the three behind-the-scenes shows created by Aaron Sorkin, Sports Night, Studio 60 on the Sunset Strip and The Newsroom, especially their ability to last. By adopting a descriptive angle (how does a TV show work? what are its economic constraints?), they have adopted a short-range tension instead of a long-term suspense (will the characters complete their show in time?). First we will study the three pilots which are launching an identical story arc (i.e., the tension between quality and profit), then the narrative techniques the three series use to slow down or accelerate the ending. By doing so, we will examine the serial and cyclic nature of these series as well as the various strategies enabling them to last or start anew, including the insertion of sideways suspense stories.
url http://journals.openedition.org/tvseries/282
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