A Nouvelle Vague

In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a compl...

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Main Author: Michel Marie
Format: Article
Language:English
Published: Universidade de São Paulo 2003-06-01
Series:Significação: Revista de Cultura Audiovisual
Subjects:
Online Access:http://www.revistas.usp.br/significacao/article/view/65573
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spelling doaj-1a275ce7039844edb9d4d4ce4416c9f62020-11-25T02:16:10Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142003-06-01301916518010.11606/issn.2316-7114.sig.2003.6557363762A Nouvelle VagueMichel Marie0Universidade de Paris III (França)In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a complex and paradoxical cinematographic practice involving happenings, ideas, authors, conceptions of direction and low budgets. It also allowed the appearance of a remarkable generation of cinematographers, which is still a reference to thehttp://www.revistas.usp.br/significacao/article/view/65573Nouvelle VagueCinema francêsHistória do cinema.
collection DOAJ
language English
format Article
sources DOAJ
author Michel Marie
spellingShingle Michel Marie
A Nouvelle Vague
Significação: Revista de Cultura Audiovisual
Nouvelle Vague
Cinema francês
História do cinema.
author_facet Michel Marie
author_sort Michel Marie
title A Nouvelle Vague
title_short A Nouvelle Vague
title_full A Nouvelle Vague
title_fullStr A Nouvelle Vague
title_full_unstemmed A Nouvelle Vague
title_sort nouvelle vague
publisher Universidade de São Paulo
series Significação: Revista de Cultura Audiovisual
issn 1516-4330
2316-7114
publishDate 2003-06-01
description In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a complex and paradoxical cinematographic practice involving happenings, ideas, authors, conceptions of direction and low budgets. It also allowed the appearance of a remarkable generation of cinematographers, which is still a reference to the
topic Nouvelle Vague
Cinema francês
História do cinema.
url http://www.revistas.usp.br/significacao/article/view/65573
work_keys_str_mv AT michelmarie anouvellevague
AT michelmarie nouvellevague
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