A Nouvelle Vague
In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a compl...
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Universidade de São Paulo
2003-06-01
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Online Access: | http://www.revistas.usp.br/significacao/article/view/65573 |
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doaj-1a275ce7039844edb9d4d4ce4416c9f62020-11-25T02:16:10Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142003-06-01301916518010.11606/issn.2316-7114.sig.2003.6557363762A Nouvelle VagueMichel Marie0Universidade de Paris III (França)In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a complex and paradoxical cinematographic practice involving happenings, ideas, authors, conceptions of direction and low budgets. It also allowed the appearance of a remarkable generation of cinematographers, which is still a reference to thehttp://www.revistas.usp.br/significacao/article/view/65573Nouvelle VagueCinema francêsHistória do cinema. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Michel Marie |
spellingShingle |
Michel Marie A Nouvelle Vague Significação: Revista de Cultura Audiovisual Nouvelle Vague Cinema francês História do cinema. |
author_facet |
Michel Marie |
author_sort |
Michel Marie |
title |
A Nouvelle Vague |
title_short |
A Nouvelle Vague |
title_full |
A Nouvelle Vague |
title_fullStr |
A Nouvelle Vague |
title_full_unstemmed |
A Nouvelle Vague |
title_sort |
nouvelle vague |
publisher |
Universidade de São Paulo |
series |
Significação: Revista de Cultura Audiovisual |
issn |
1516-4330 2316-7114 |
publishDate |
2003-06-01 |
description |
In this discussion about Nouvelle Vague, the author demonstrates that the cinematographic phenomena appeared by chance, between 1959/1960, from a wide reaction against the French cinema. Particularly linked to the criticai Cahiers du Cinéma, the movement was consolidated after having excited a complex and paradoxical cinematographic practice involving happenings, ideas, authors, conceptions of direction and low budgets. It also allowed the appearance of a remarkable generation of cinematographers, which is still a reference to the |
topic |
Nouvelle Vague Cinema francês História do cinema. |
url |
http://www.revistas.usp.br/significacao/article/view/65573 |
work_keys_str_mv |
AT michelmarie anouvellevague AT michelmarie nouvellevague |
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1724892283888730112 |