Popular Music, Gender and Sexualities
This paper responds to Philip Tagg’s 2011 discussion of the state of popular music studies since the formation of the International Association for the Study of Popular Music by foregrounding issues concerning the current position of popular music studies, gender and sexualities. It provides both a...
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International Association for the Study of Popular Music
2013-01-01
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Online Access: | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/604/pdf_1 |
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doaj-1a14f08327d347f2a908ef1736d391202020-11-25T01:11:21ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712079-38712013-01-0132788510.5429/2079-3871(2013)v3i2.6enPopular Music, Gender and SexualitiesSheila Whiteley0Professor Emeritus, University of SalfordThis paper responds to Philip Tagg’s 2011 discussion of the state of popular music studies since the formation of the International Association for the Study of Popular Music by foregrounding issues concerning the current position of popular music studies, gender and sexualities. It provides both a personal insight into teaching practice and publications, and explores the current position of women in the music industry.https://iaspmjournal.net/index.php/IASPM_Journal/article/view/604/pdf_1iaspmpopular musicpoprockmainstreamgendersexualitiesqueerpopular music studies |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sheila Whiteley |
spellingShingle |
Sheila Whiteley Popular Music, Gender and Sexualities IASPM Journal iaspm popular music pop rock mainstream gender sexualities queer popular music studies |
author_facet |
Sheila Whiteley |
author_sort |
Sheila Whiteley |
title |
Popular Music, Gender and Sexualities |
title_short |
Popular Music, Gender and Sexualities |
title_full |
Popular Music, Gender and Sexualities |
title_fullStr |
Popular Music, Gender and Sexualities |
title_full_unstemmed |
Popular Music, Gender and Sexualities |
title_sort |
popular music, gender and sexualities |
publisher |
International Association for the Study of Popular Music |
series |
IASPM Journal |
issn |
2079-3871 2079-3871 |
publishDate |
2013-01-01 |
description |
This paper responds to Philip Tagg’s 2011 discussion of the state of popular music studies since the formation of the International Association for the Study of Popular Music by foregrounding issues concerning the current position of popular music studies, gender and sexualities. It provides both a personal insight into teaching practice and publications, and explores the current position of women in the music industry. |
topic |
iaspm popular music pop rock mainstream gender sexualities queer popular music studies |
url |
https://iaspmjournal.net/index.php/IASPM_Journal/article/view/604/pdf_1 |
work_keys_str_mv |
AT sheilawhiteley popularmusicgenderandsexualities |
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1725171502985248768 |