ALEXA VISARION AND THE CARAGIALIAN TEXTS - ESSENCE AND EXPRESSIVENESS

• Main Author: BĂLĂIŢĂ VASILICA
• Format: Article
• Language: deu
• Published: Notograf Prim 2015-09-01
• Series: Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
• Subjects: Ioan Luca Caragiale; Alexa Visarion; film; theatre
• Online Access: http://revista.amtap.md/wp-content/files_mf/151118095718vbalaita_AlexaVisarionandthecaragialiantexts%E2%80%93essenceandexpressiveness.pdf
• ISSN: 2345-1408; 2345-1831

Ion Luca Caragiale is a national playwright, and is considered a symbol of Romanian society, and more than 100 years have passed since apparently we have not separated psychologically and behaviourally from the template (pattern) in which loan Luca Caragiale had set the Romanian society. We believe it’s even worse that students at the Faculty of Theater, in the ab­sence of anthropological study, play dramatic texts literally, which increases the risk to stereotype Caragiale’s opera in school. In this article we intend to present Alexa Visarion’s[1] films, based on Ion Luca Caragiale’s short stories, as well as the play Dale Carnavalului (Of the Carnival) directed by him, as a guest professor, at the National Theatre Art Institute from Reykja-vic, Island (1989). The movies we refer to were the result of some performances played almost with the same distribution for a decade: Năpasta (The Scourage), after the short story with the same name, a movie directed in 1985, starring Dorina Lazar, Florin Zamfirescu and Dorel Visan; Inainte de tacere (Before silence, directed in 1978, after the story In vreme de razboi (in time of war) novel starring Valeria Seciu and Liviu Rozorea. Our demarche aims at highlighting the universality of Ioan Luca Caragiale by essentialization and expressivity.