Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes

Through repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects...

Full description

Bibliographic Details
Main Author: Bertrand Guillet
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2013-02-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/10137
id doaj-196d0acaf157466e8cbdce31b4403d54
record_format Article
spelling doaj-196d0acaf157466e8cbdce31b4403d542020-11-24T23:12:03ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052013-02-012010.4000/insitu.10137Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de NantesBertrand GuilletThrough repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects evoking the slave trade in the collections of the Museum, presented to the public, goes back way before this remarkable stake in the exhibition. Furthermore, this sometimes chaotic presence exhibited throughout the 20th century, may had had relieving effects, or was at least precursory regarding the integration of this history in the construction of Nantes’ memory. We are thus going to look at whether this subject in the museum, was either in the logic of what is so often described as the repression in Nantes, or if it had a place apart?http://journals.openedition.org/insitu/10137traite des NoirsmuséesNantesrefoulementAnneaux de la MémoireHistoire et Mémoire
collection DOAJ
language fra
format Article
sources DOAJ
author Bertrand Guillet
spellingShingle Bertrand Guillet
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
In Situ : Revue de Patrimoines
traite des Noirs
musées
Nantes
refoulement
Anneaux de la Mémoire
Histoire et Mémoire
author_facet Bertrand Guillet
author_sort Bertrand Guillet
title Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
title_short Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
title_full Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
title_fullStr Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
title_full_unstemmed Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
title_sort entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le xxe siècle, la collection sur la traite des noirs au musée de nantes
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2013-02-01
description Through repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects evoking the slave trade in the collections of the Museum, presented to the public, goes back way before this remarkable stake in the exhibition. Furthermore, this sometimes chaotic presence exhibited throughout the 20th century, may had had relieving effects, or was at least precursory regarding the integration of this history in the construction of Nantes’ memory. We are thus going to look at whether this subject in the museum, was either in the logic of what is so often described as the repression in Nantes, or if it had a place apart?
topic traite des Noirs
musées
Nantes
refoulement
Anneaux de la Mémoire
Histoire et Mémoire
url http://journals.openedition.org/insitu/10137
work_keys_str_mv AT bertrandguillet entrerefoulementetreconnaissanceoccultationetexpositioncommentsestconstitueedurantlexxesieclelacollectionsurlatraitedesnoirsaumuseedenantes
_version_ 1725602643467829248