Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes
Through repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects...
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Ministère de la Culture et de la Communication
2013-02-01
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Series: | In Situ : Revue de Patrimoines |
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Online Access: | http://journals.openedition.org/insitu/10137 |
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doaj-196d0acaf157466e8cbdce31b4403d542020-11-24T23:12:03ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052013-02-012010.4000/insitu.10137Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de NantesBertrand GuilletThrough repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects evoking the slave trade in the collections of the Museum, presented to the public, goes back way before this remarkable stake in the exhibition. Furthermore, this sometimes chaotic presence exhibited throughout the 20th century, may had had relieving effects, or was at least precursory regarding the integration of this history in the construction of Nantes’ memory. We are thus going to look at whether this subject in the museum, was either in the logic of what is so often described as the repression in Nantes, or if it had a place apart?http://journals.openedition.org/insitu/10137traite des NoirsmuséesNantesrefoulementAnneaux de la MémoireHistoire et Mémoire |
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language |
fra |
format |
Article |
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DOAJ |
author |
Bertrand Guillet |
spellingShingle |
Bertrand Guillet Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes In Situ : Revue de Patrimoines traite des Noirs musées Nantes refoulement Anneaux de la Mémoire Histoire et Mémoire |
author_facet |
Bertrand Guillet |
author_sort |
Bertrand Guillet |
title |
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes |
title_short |
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes |
title_full |
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes |
title_fullStr |
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes |
title_full_unstemmed |
Entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le XXe siècle, la collection sur la traite des Noirs au musée de Nantes |
title_sort |
entre refoulement et reconnaissance, occultation et exposition, comment s’est constituée, durant le xxe siècle, la collection sur la traite des noirs au musée de nantes |
publisher |
Ministère de la Culture et de la Communication |
series |
In Situ : Revue de Patrimoines |
issn |
1630-7305 |
publishDate |
2013-02-01 |
description |
Through repression and recognition, concealment and exhibition the collection on the slave trade in the Museum of Nantes was created during the 20th century. The 1992 exhibition in Nantes, The Shackles of Memory marked a revival of a history purposely hidden for many decades. The presence of objects evoking the slave trade in the collections of the Museum, presented to the public, goes back way before this remarkable stake in the exhibition. Furthermore, this sometimes chaotic presence exhibited throughout the 20th century, may had had relieving effects, or was at least precursory regarding the integration of this history in the construction of Nantes’ memory. We are thus going to look at whether this subject in the museum, was either in the logic of what is so often described as the repression in Nantes, or if it had a place apart? |
topic |
traite des Noirs musées Nantes refoulement Anneaux de la Mémoire Histoire et Mémoire |
url |
http://journals.openedition.org/insitu/10137 |
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