The Interpretive Shaping of Music Performance Research

In their study of nine pianists Buck, MacRitchie and Bailey observe a universal embodiment of phrasing structure and other higher-level structural features of the music, the physical makeup of which is nevertheless particular to both the individual performers and the pieces they are performing. Such...

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Main Author: John Rink
Format: Article
Language:English
Published: The Ohio State University Libraries 2013-12-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v8i2.3930
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spelling doaj-19525ee34b874756b83f2490b679ac572020-11-25T00:40:53ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492013-12-018212012310.18061/emr.v8i2.3930The Interpretive Shaping of Music Performance ResearchJohn Rink0AHRC Research Centre for Musical Performance as Creative Practice University of CambridgeIn their study of nine pianists Buck, MacRitchie and Bailey observe a universal embodiment of phrasing structure and other higher-level structural features of the music, the physical makeup of which is nevertheless particular to both the individual performers and the pieces they are performing. Such a conclusion invites renewed consideration of assumptions in the literature on musical performance about the nature and role of structure and about performers' 'interpretations' thereof. The findings also raise interesting questions about the musical viability of empirical research on performance and its capacity to shed light on how performers shape the music they play, their motivations in doing so, and how those listening to them might in turn be affected by this.https://doi.org/10.18061/emr.v8i2.3930performancemusical structureshapemotiongesturephrasing
collection DOAJ
language English
format Article
sources DOAJ
author John Rink
spellingShingle John Rink
The Interpretive Shaping of Music Performance Research
Empirical Musicology Review
performance
musical structure
shape
motion
gesture
phrasing
author_facet John Rink
author_sort John Rink
title The Interpretive Shaping of Music Performance Research
title_short The Interpretive Shaping of Music Performance Research
title_full The Interpretive Shaping of Music Performance Research
title_fullStr The Interpretive Shaping of Music Performance Research
title_full_unstemmed The Interpretive Shaping of Music Performance Research
title_sort interpretive shaping of music performance research
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2013-12-01
description In their study of nine pianists Buck, MacRitchie and Bailey observe a universal embodiment of phrasing structure and other higher-level structural features of the music, the physical makeup of which is nevertheless particular to both the individual performers and the pieces they are performing. Such a conclusion invites renewed consideration of assumptions in the literature on musical performance about the nature and role of structure and about performers' 'interpretations' thereof. The findings also raise interesting questions about the musical viability of empirical research on performance and its capacity to shed light on how performers shape the music they play, their motivations in doing so, and how those listening to them might in turn be affected by this.
topic performance
musical structure
shape
motion
gesture
phrasing
url https://doi.org/10.18061/emr.v8i2.3930
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