Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.

Recently, musical sounds from pre-recorded orchestra sample libraries (OSL) have become indispensable in music production for the stage or popular charts. Surprisingly, it is unknown whether human listeners can identify sounds as stemming from real orchestras or OSLs. Thus, an internet-based experim...

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Main Authors: Reinhard Kopiez, Anna Wolf, Friedrich Platz, Jan Mons
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2016-01-01
Series:PLoS ONE
Online Access:http://europepmc.org/articles/PMC4934781?pdf=render
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spelling doaj-19408936f827412393226a5ad3125f422020-11-25T00:42:29ZengPublic Library of Science (PLoS)PLoS ONE1932-62032016-01-01117e015832410.1371/journal.pone.0158324Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.Reinhard KopiezAnna WolfFriedrich PlatzJan MonsRecently, musical sounds from pre-recorded orchestra sample libraries (OSL) have become indispensable in music production for the stage or popular charts. Surprisingly, it is unknown whether human listeners can identify sounds as stemming from real orchestras or OSLs. Thus, an internet-based experiment was conducted to investigate whether a classic orchestral work, produced with sounds from a state-of-the-art OSL, could be reliably discerned from a live orchestra recording of the piece. It could be shown that the entire sample of listeners (N = 602) on average identified the correct sound source at 72.5%. This rate slightly exceeded Alan Turing's well-known upper threshold of 70% for a convincing, simulated performance. However, while sound experts tended to correctly identify the sound source, participants with lower listening expertise, who resembled the majority of music consumers, only achieved 68.6%. As non-expert listeners in the experiment were virtually unable to tell the real-life and OSL sounds apart, it is assumed that OSLs will become more common in music production for economic reasons.http://europepmc.org/articles/PMC4934781?pdf=render
collection DOAJ
language English
format Article
sources DOAJ
author Reinhard Kopiez
Anna Wolf
Friedrich Platz
Jan Mons
spellingShingle Reinhard Kopiez
Anna Wolf
Friedrich Platz
Jan Mons
Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
PLoS ONE
author_facet Reinhard Kopiez
Anna Wolf
Friedrich Platz
Jan Mons
author_sort Reinhard Kopiez
title Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
title_short Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
title_full Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
title_fullStr Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
title_full_unstemmed Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds.
title_sort replacing the orchestra? - the discernibility of sample library and live orchestra sounds.
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2016-01-01
description Recently, musical sounds from pre-recorded orchestra sample libraries (OSL) have become indispensable in music production for the stage or popular charts. Surprisingly, it is unknown whether human listeners can identify sounds as stemming from real orchestras or OSLs. Thus, an internet-based experiment was conducted to investigate whether a classic orchestral work, produced with sounds from a state-of-the-art OSL, could be reliably discerned from a live orchestra recording of the piece. It could be shown that the entire sample of listeners (N = 602) on average identified the correct sound source at 72.5%. This rate slightly exceeded Alan Turing's well-known upper threshold of 70% for a convincing, simulated performance. However, while sound experts tended to correctly identify the sound source, participants with lower listening expertise, who resembled the majority of music consumers, only achieved 68.6%. As non-expert listeners in the experiment were virtually unable to tell the real-life and OSL sounds apart, it is assumed that OSLs will become more common in music production for economic reasons.
url http://europepmc.org/articles/PMC4934781?pdf=render
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