L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL

Taking the move from the differences between the Medieval and the Modern image, the authors will attempt at applying Agamben’s concept of «anthropological machine» to a specific historical episode, that of the growing disappearance of hybrid human‐ animal images from the books of allegorie...

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Main Authors: Petrella, Sara, Trucchio, Aldo
Format: Article
Language:English
Published: S&F_scienzaefilosofia.it 2014-12-01
Series:S&F_scienzaefilosofia.it
Subjects:
Online Access:http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res686083_13-PETRELLATRUCCHIO.pdf
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spelling doaj-18f3d4405bda484486f9c1ce137d27b62020-11-24T23:08:32ZengS&F_scienzaefilosofia.itS&F_scienzaefilosofia.it2036-29272014-12-0112162184L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMALPetrella, Sara0Trucchio, Aldo1Université de GenèveUniversité de GenèveTaking the move from the differences between the Medieval and the Modern image, the authors will attempt at applying Agamben’s concept of «anthropological machine» to a specific historical episode, that of the growing disappearance of hybrid human‐ animal images from the books of allegories from the end of the XVI Cent. The authors thus aim at showing how the early XVII Century witnesses a fundamental shift of the human/animal frontier, from the representation of interspecies hybrids to that of the savage. A move which opened up the possibility of defining the human on biological grounds, as opposed to aesthetic, philosophical and religious ones. http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res686083_13-PETRELLATRUCCHIO.pdfhybridimagehuman/animal
collection DOAJ
language English
format Article
sources DOAJ
author Petrella, Sara
Trucchio, Aldo
spellingShingle Petrella, Sara
Trucchio, Aldo
L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
S&F_scienzaefilosofia.it
hybrid
image
human/animal
author_facet Petrella, Sara
Trucchio, Aldo
author_sort Petrella, Sara
title L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
title_short L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
title_full L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
title_fullStr L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
title_full_unstemmed L’HYBRIDE EN IMAGES. DÉPLACEMENTS PROGRESSIFS DE LA FRONTIÈRE ENTRE HOMME ET ANIMAL
title_sort l’hybride en images. déplacements progressifs de la frontière entre homme et animal
publisher S&F_scienzaefilosofia.it
series S&F_scienzaefilosofia.it
issn 2036-2927
publishDate 2014-12-01
description Taking the move from the differences between the Medieval and the Modern image, the authors will attempt at applying Agamben’s concept of «anthropological machine» to a specific historical episode, that of the growing disappearance of hybrid human‐ animal images from the books of allegories from the end of the XVI Cent. The authors thus aim at showing how the early XVII Century witnesses a fundamental shift of the human/animal frontier, from the representation of interspecies hybrids to that of the savage. A move which opened up the possibility of defining the human on biological grounds, as opposed to aesthetic, philosophical and religious ones.
topic hybrid
image
human/animal
url http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res686083_13-PETRELLATRUCCHIO.pdf
work_keys_str_mv AT petrellasara lhybrideenimagesdeplacementsprogressifsdelafrontiereentrehommeetanimal
AT trucchioaldo lhybrideenimagesdeplacementsprogressifsdelafrontiereentrehommeetanimal
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