«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali
In is fairly usual for music history handbooks to introduce certain remote musical forms, documented since the historical period in which they became established, with an adequate formal analytical support. What they entirely lack, often due to problems retrieving documentation, is any explanation c...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
University of Bologna
2015-12-01
|
| Series: | Musica Docta |
| Subjects: | |
| Online Access: | http://musicadocta.unibo.it/article/view/5871 |
| id |
doaj-18c43d6bd11c4cdbbb900606b81a03c5 |
|---|---|
| record_format |
Article |
| spelling |
doaj-18c43d6bd11c4cdbbb900606b81a03c52020-11-24T23:58:53ZdeuUniversity of BolognaMusica Docta2039-97152015-12-0151293710.6092/issn.2039-9715/58715353«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievaliCesarino RuiniIn is fairly usual for music history handbooks to introduce certain remote musical forms, documented since the historical period in which they became established, with an adequate formal analytical support. What they entirely lack, often due to problems retrieving documentation, is any explanation concerning their origin and the genetic process of their evolution.Such an approach leads to a ‘sterilized’ comprehension of the musical phenomenon, by depriving it of the essential contribution of its social and cultural context.Through a couple of examples, the article shows how restoring the historical identity of musical forms that are no longer current can also reconstruct the traits that are able to convey authentic meanings to us and our descendants.http://musicadocta.unibo.it/article/view/5871forme musicali medievali |
| collection |
DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Cesarino Ruini |
| spellingShingle |
Cesarino Ruini «Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali Musica Docta forme musicali medievali |
| author_facet |
Cesarino Ruini |
| author_sort |
Cesarino Ruini |
| title |
«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| title_short |
«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| title_full |
«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| title_fullStr |
«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| title_full_unstemmed |
«Cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| title_sort |
«cercate l’antica madre»: percorsi e ricorsi delle forme musicali medievali |
| publisher |
University of Bologna |
| series |
Musica Docta |
| issn |
2039-9715 |
| publishDate |
2015-12-01 |
| description |
In is fairly usual for music history handbooks to introduce certain remote musical forms, documented since the historical period in which they became established, with an adequate formal analytical support. What they entirely lack, often due to problems retrieving documentation, is any explanation concerning their origin and the genetic process of their evolution.Such an approach leads to a ‘sterilized’ comprehension of the musical phenomenon, by depriving it of the essential contribution of its social and cultural context.Through a couple of examples, the article shows how restoring the historical identity of musical forms that are no longer current can also reconstruct the traits that are able to convey authentic meanings to us and our descendants. |
| topic |
forme musicali medievali |
| url |
http://musicadocta.unibo.it/article/view/5871 |
| work_keys_str_mv |
AT cesarinoruini cercatelanticamadrepercorsiericorsidelleformemusicalimedievali |
| _version_ |
1725449154496299008 |