The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression
Two women's texts from postcolonial countries, Mexico and South Africa, on different continents show surprising correspondences in subject matter and style. Elena Poniatowska’s Hasta no verte Jesús mío (Till I meet you, my Jesus) and Elsa Joubert's Die swerfjare van Poppie Nongena (The jou...
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doaj-18b9e4a5f06e407892e4cf3134390dae2020-11-24T23:52:42ZafrAOSISLiterator0258-22792219-82371994-05-01153415410.4102/lit.v15i3.676615The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppressionM. Wenzel0Department of English, Potchefstroom University for CHETwo women's texts from postcolonial countries, Mexico and South Africa, on different continents show surprising correspondences in subject matter and style. Elena Poniatowska’s Hasta no verte Jesús mío (Till I meet you, my Jesus) and Elsa Joubert's Die swerfjare van Poppie Nongena (The journey of Poppie Nongena) examples of testimonial writing, both address issues of gender and politics in an innovative way. They combine autobiography and biography to render a dramatic account of social injustice despite their disparate backgrounds/cultures and subtle differences in style. In comparison, the texts not only affirm the validity of women’s writing and contribute to its enrichment, but also constitute a valuable contribution towards the formulation of a general feminist aesthetics. In fact, they illustrate conclusively that comparative literature fulfils a vital function in the exploration and interpretation of women's literature from different cultures.https://literator.org.za/index.php/literator/article/view/676 |
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DOAJ |
language |
Afrikaans |
format |
Article |
sources |
DOAJ |
author |
M. Wenzel |
spellingShingle |
M. Wenzel The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression Literator |
author_facet |
M. Wenzel |
author_sort |
M. Wenzel |
title |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
title_short |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
title_full |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
title_fullStr |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
title_full_unstemmed |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
title_sort |
same difference: jesusa palancares and poppie nongena’s testimonies of oppression |
publisher |
AOSIS |
series |
Literator |
issn |
0258-2279 2219-8237 |
publishDate |
1994-05-01 |
description |
Two women's texts from postcolonial countries, Mexico and South Africa, on different continents show surprising correspondences in subject matter and style. Elena Poniatowska’s Hasta no verte Jesús mío (Till I meet you, my Jesus) and Elsa Joubert's Die swerfjare van Poppie Nongena (The journey of Poppie Nongena) examples of testimonial writing, both address issues of gender and politics in an innovative way. They combine autobiography and biography to render a dramatic account of social injustice despite their disparate backgrounds/cultures and subtle differences in style. In comparison, the texts not only affirm the validity of women’s writing and contribute to its enrichment, but also constitute a valuable contribution towards the formulation of a general feminist aesthetics. In fact, they illustrate conclusively that comparative literature fulfils a vital function in the exploration and interpretation of women's literature from different cultures. |
url |
https://literator.org.za/index.php/literator/article/view/676 |
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AT mwenzel thesamedifferencejesusapalancaresandpoppienongenastestimoniesofoppression AT mwenzel samedifferencejesusapalancaresandpoppienongenastestimoniesofoppression |
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