Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts
The present research arose from the restlessness arising from the reflection on the extent to which the audiovisual communication, specifically the television animations, and their hyperstimuli, are no longer mere entertainment within the contemporary complex to fact to be useful for the studies of...
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Universidade Federal do Rio Grande do Sul
2019-04-01
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Online Access: | https://seer.ufrgs.br/gearte/article/view/89909 |
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doaj-18b59b17da684d21aec1e6a671796e332021-07-01T16:01:00ZengUniversidade Federal do Rio Grande do SulRevista Gearte2357-98542019-04-016110.22456/2357-9854.8990940326Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual artsIsac dos Santos Pereira0Universidade Anhembi Morumbi — UAM, São Paulo/SPThe present research arose from the restlessness arising from the reflection on the extent to which the audiovisual communication, specifically the television animations, and their hyperstimuli, are no longer mere entertainment within the contemporary complex to fact to be useful for the studies of creativity, besides subsidizing in the creative process of its fans. The assimilation of such constructs lacks the actuation of several sensorial fields, which retains and directs information to the various cerebral pathways. In dialogue with the complex thinking of Edgard Morin, the text is based on the intention of understanding some of the faces of infantile-juvenile animations as a complex framework that establishes and affects diverse fields of the imaginary and, as soon as it fosters the creative act in proposing new such as the case of some producers. From now on, the investigative looks have been written with a positive conception of the audiovisual media, aiming at discussing some productions and their consequent influence on the conformation of the image-frame of the children / fans who constantly consume them in the moments of leisure, and externalize their perceptions through drawings within the classroom.https://seer.ufrgs.br/gearte/article/view/89909televisão. animação. processo criativo. estímulo cerebral. arte. desenho. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Isac dos Santos Pereira |
spellingShingle |
Isac dos Santos Pereira Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts Revista Gearte televisão. animação. processo criativo. estímulo cerebral. arte. desenho. |
author_facet |
Isac dos Santos Pereira |
author_sort |
Isac dos Santos Pereira |
title |
Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts |
title_short |
Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts |
title_full |
Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts |
title_fullStr |
Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts |
title_full_unstemmed |
Creative brains in the world of mass audiovisual productions? Entertainment, fans of animations and creative possibilities in the visual arts |
title_sort |
creative brains in the world of mass audiovisual productions? entertainment, fans of animations and creative possibilities in the visual arts |
publisher |
Universidade Federal do Rio Grande do Sul |
series |
Revista Gearte |
issn |
2357-9854 |
publishDate |
2019-04-01 |
description |
The present research arose from the restlessness arising from the reflection on the extent to which the audiovisual communication, specifically the television animations, and their hyperstimuli, are no longer mere entertainment within the contemporary complex to fact to be useful for the studies of creativity, besides subsidizing in the creative process of its fans. The assimilation of such constructs lacks the actuation of several sensorial fields, which retains and directs information to the various cerebral pathways. In dialogue with the complex thinking of Edgard Morin, the text is based on the intention of understanding some of the faces of infantile-juvenile animations as a complex framework that establishes and affects diverse fields of the imaginary and, as soon as it fosters the creative act in proposing new such as the case of some producers. From now on, the investigative looks have been written with a positive conception of the audiovisual media, aiming at discussing some productions and their consequent influence on the conformation of the image-frame of the children / fans who constantly consume them in the moments of leisure, and externalize their perceptions through drawings within the classroom. |
topic |
televisão. animação. processo criativo. estímulo cerebral. arte. desenho. |
url |
https://seer.ufrgs.br/gearte/article/view/89909 |
work_keys_str_mv |
AT isacdossantospereira creativebrainsintheworldofmassaudiovisualproductionsentertainmentfansofanimationsandcreativepossibilitiesinthevisualarts |
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