Expression as Success. The Psychological Reality of Musical Performance
Roger Scruton’s ontology of sound is found wanting on two counts. Scruton removes from music the importance of the performer’s manipulating of his instrument. This misconceives the phenomenology of hearing and, as a consequence, impoverishes our understanding of music. I argue that the musician’s ma...
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| Format: | Article |
| Language: | English |
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Helsinki University Press
2008-05-01
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| Series: | Estetika |
| Online Access: | https://estetikajournal.org/articles/35 |