Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development

<p>The current purpose of many national and international regulations is to ensure accessibility and fruition to the artistic and architectural masterpieces of cultural heritage. The aim of different public institutions or private associations is to allow everyone to discover and appreciate wo...

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Main Author: Veronica Riavis
Format: Article
Language:English
Published: University of L'Aquila 2019-12-01
Series:Disegnare con
Subjects:
Online Access:http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/613
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spelling doaj-1837dab7c51f4371b57191924ebcc6882021-07-14T13:58:24ZengUniversity of L'AquilaDisegnare con1828-59612019-12-011223110287Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New DevelopmentVeronica Riavis<p>The current purpose of many national and international regulations is to ensure accessibility and fruition to the artistic and architectural masterpieces of cultural heritage. The aim of different public institutions or private associations is to allow everyone to discover and appreciate works of art.</p><p>Understanding the different form of art is very complex especially for a person with a visual disability, who becomes aware of the surrounding reality using predominantly the sense of touch. Disability includes a series of problems that correspond to different solutions for the fruition of cultural heritage. Accessibility is guaranteed for people with motor disabilities by the removal of architectural barriers, for deaf and hard of hearing people by the communication of the insights, for mental disability with laboratory activities. Instead, blindness requires a different approach, as it proposes problems and requires specific operations. The article focuses on the issue of accessibility of heritage to blind and visual impairment people, presenting the consolidated techniques and the most innovative ones adopted to communicate the different forms of art, constituting both a source of knowledge and aesthetic pleasure.</p><p>DOI: <a href="https://doi.org/10.20365/disegnarecon.23.2019.10" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.23.2019.10</a></p>http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/613tactile representationcultural experienceaccessibility to heritagetactile museum
collection DOAJ
language English
format Article
sources DOAJ
author Veronica Riavis
spellingShingle Veronica Riavis
Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
Disegnare con
tactile representation
cultural experience
accessibility to heritage
tactile museum
author_facet Veronica Riavis
author_sort Veronica Riavis
title Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
title_short Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
title_full Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
title_fullStr Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
title_full_unstemmed Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development
title_sort discovering architectural artistic heritage through the experience of tactile representation: state of the art and new development
publisher University of L'Aquila
series Disegnare con
issn 1828-5961
publishDate 2019-12-01
description <p>The current purpose of many national and international regulations is to ensure accessibility and fruition to the artistic and architectural masterpieces of cultural heritage. The aim of different public institutions or private associations is to allow everyone to discover and appreciate works of art.</p><p>Understanding the different form of art is very complex especially for a person with a visual disability, who becomes aware of the surrounding reality using predominantly the sense of touch. Disability includes a series of problems that correspond to different solutions for the fruition of cultural heritage. Accessibility is guaranteed for people with motor disabilities by the removal of architectural barriers, for deaf and hard of hearing people by the communication of the insights, for mental disability with laboratory activities. Instead, blindness requires a different approach, as it proposes problems and requires specific operations. The article focuses on the issue of accessibility of heritage to blind and visual impairment people, presenting the consolidated techniques and the most innovative ones adopted to communicate the different forms of art, constituting both a source of knowledge and aesthetic pleasure.</p><p>DOI: <a href="https://doi.org/10.20365/disegnarecon.23.2019.10" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.23.2019.10</a></p>
topic tactile representation
cultural experience
accessibility to heritage
tactile museum
url http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/613
work_keys_str_mv AT veronicariavis discoveringarchitecturalartisticheritagethroughtheexperienceoftactilerepresentationstateoftheartandnewdevelopment
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