The Non-Professional Actor in the Reception of Italian Cinema Abroad

This article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, a...

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Main Author: Catherine O'Rawe
Format: Article
Language:English
Published: University of Bologna 2020-12-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/10925
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spelling doaj-17e790bd4bc54c9896425f96e70c64312021-01-12T08:41:32ZengUniversity of BolognaCinergie2280-94812020-12-0118738310.6092/issn.2280-9481/109259310The Non-Professional Actor in the Reception of Italian Cinema AbroadCatherine O'Rawe0University of BristolThis article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, and to the Italian state system of film funding. It also places attention on the cultural representation of the non-professional who becomes a kind of “star attraction” on the festival circuit, an object of curiosity and a marker of authenticity for a cinephile audience, due to their “out-of-placeness” in the paracinematic activities of festival promotion. It argues that the non-professional actor is part of the branding of Italian cinema internationally, along with the figure of the auteur.https://cinergie.unibo.it/article/view/10925non-professional actorneorealismfilm festivals“anti-stardom”authenticity.
collection DOAJ
language English
format Article
sources DOAJ
author Catherine O'Rawe
spellingShingle Catherine O'Rawe
The Non-Professional Actor in the Reception of Italian Cinema Abroad
Cinergie
non-professional actor
neorealism
film festivals
“anti-stardom”
authenticity.
author_facet Catherine O'Rawe
author_sort Catherine O'Rawe
title The Non-Professional Actor in the Reception of Italian Cinema Abroad
title_short The Non-Professional Actor in the Reception of Italian Cinema Abroad
title_full The Non-Professional Actor in the Reception of Italian Cinema Abroad
title_fullStr The Non-Professional Actor in the Reception of Italian Cinema Abroad
title_full_unstemmed The Non-Professional Actor in the Reception of Italian Cinema Abroad
title_sort non-professional actor in the reception of italian cinema abroad
publisher University of Bologna
series Cinergie
issn 2280-9481
publishDate 2020-12-01
description This article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, and to the Italian state system of film funding. It also places attention on the cultural representation of the non-professional who becomes a kind of “star attraction” on the festival circuit, an object of curiosity and a marker of authenticity for a cinephile audience, due to their “out-of-placeness” in the paracinematic activities of festival promotion. It argues that the non-professional actor is part of the branding of Italian cinema internationally, along with the figure of the auteur.
topic non-professional actor
neorealism
film festivals
“anti-stardom”
authenticity.
url https://cinergie.unibo.it/article/view/10925
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