The Non-Professional Actor in the Reception of Italian Cinema Abroad
This article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, a...
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University of Bologna
2020-12-01
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Online Access: | https://cinergie.unibo.it/article/view/10925 |
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doaj-17e790bd4bc54c9896425f96e70c64312021-01-12T08:41:32ZengUniversity of BolognaCinergie2280-94812020-12-0118738310.6092/issn.2280-9481/109259310The Non-Professional Actor in the Reception of Italian Cinema AbroadCatherine O'Rawe0University of BristolThis article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, and to the Italian state system of film funding. It also places attention on the cultural representation of the non-professional who becomes a kind of “star attraction” on the festival circuit, an object of curiosity and a marker of authenticity for a cinephile audience, due to their “out-of-placeness” in the paracinematic activities of festival promotion. It argues that the non-professional actor is part of the branding of Italian cinema internationally, along with the figure of the auteur.https://cinergie.unibo.it/article/view/10925non-professional actorneorealismfilm festivals“anti-stardom”authenticity. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Catherine O'Rawe |
spellingShingle |
Catherine O'Rawe The Non-Professional Actor in the Reception of Italian Cinema Abroad Cinergie non-professional actor neorealism film festivals “anti-stardom” authenticity. |
author_facet |
Catherine O'Rawe |
author_sort |
Catherine O'Rawe |
title |
The Non-Professional Actor in the Reception of Italian Cinema Abroad |
title_short |
The Non-Professional Actor in the Reception of Italian Cinema Abroad |
title_full |
The Non-Professional Actor in the Reception of Italian Cinema Abroad |
title_fullStr |
The Non-Professional Actor in the Reception of Italian Cinema Abroad |
title_full_unstemmed |
The Non-Professional Actor in the Reception of Italian Cinema Abroad |
title_sort |
non-professional actor in the reception of italian cinema abroad |
publisher |
University of Bologna |
series |
Cinergie |
issn |
2280-9481 |
publishDate |
2020-12-01 |
description |
This article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its relation to a weak Italian national star system, and to the Italian state system of film funding. It also places attention on the cultural representation of the non-professional who becomes a kind of “star attraction” on the festival circuit, an object of curiosity and a marker of authenticity for a cinephile audience, due to their “out-of-placeness” in the paracinematic activities of festival promotion. It argues that the non-professional actor is part of the branding of Italian cinema internationally, along with the figure of the auteur. |
topic |
non-professional actor neorealism film festivals “anti-stardom” authenticity. |
url |
https://cinergie.unibo.it/article/view/10925 |
work_keys_str_mv |
AT catherineorawe thenonprofessionalactorinthereceptionofitaliancinemaabroad AT catherineorawe nonprofessionalactorinthereceptionofitaliancinemaabroad |
_version_ |
1724340524804997120 |