Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War

Max Silverman’s Palimpsestic Memory describes a “transgenerational voice of memory” which may emerge from diverse histories of victimisation. This article will seek to expand upon how this “transgenerational voice” is significant within manifold cultural contexts through examining how the mother-dau...

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Main Author: Christina Brennan
Format: Article
Language:English
Published: University of Edinburgh 2015-03-01
Series:Forum
Online Access:http://www.forumjournal.org/article/view/1201
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spelling doaj-177da22f62814312b756b2fc6a835a192020-11-25T03:32:45ZengUniversity of EdinburghForum1749-97712015-03-011201Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil WarChristina Brennan0University of LeedsMax Silverman’s Palimpsestic Memory describes a “transgenerational voice of memory” which may emerge from diverse histories of victimisation. This article will seek to expand upon how this “transgenerational voice” is significant within manifold cultural contexts through examining how the mother-daughter relationship is becoming increasingly prominent within recent Francophone women’s literature from Algeria. Within the fiction which reflects upon the destruction wrought by the Algeria’s civil crisis (c. 1992-1998), the mother-daughter bond connects women’s suffering during this “black decade” with the preceding War of Independence (1956-1962). Female protagonists in literary works by authors including Malika Mokeddem and Leila Marouane are inspired to challenge and resist civil upheaval and violence through recollecting and celebrating their mothers’ earlier resistance during the War of Independence. Presenting Mokeddem’s Of Dreams and Assassins and Marouane’s The Abductor as key texts, this article considers how the mother-daughter bond emerges as a literary theme which, through exemplifying the transnational emphasis on the associations between distinct atrocities, draws attention to female suffering within both Algerian wars, developing a productive and intercultural consciousness of female-specific suffering within multiple historical traumas.http://www.forumjournal.org/article/view/1201
collection DOAJ
language English
format Article
sources DOAJ
author Christina Brennan
spellingShingle Christina Brennan
Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
Forum
author_facet Christina Brennan
author_sort Christina Brennan
title Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
title_short Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
title_full Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
title_fullStr Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
title_full_unstemmed Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
title_sort mothers’ and daughters’ memories: the palimpsest and women’s writing during the algerian civil war
publisher University of Edinburgh
series Forum
issn 1749-9771
publishDate 2015-03-01
description Max Silverman’s Palimpsestic Memory describes a “transgenerational voice of memory” which may emerge from diverse histories of victimisation. This article will seek to expand upon how this “transgenerational voice” is significant within manifold cultural contexts through examining how the mother-daughter relationship is becoming increasingly prominent within recent Francophone women’s literature from Algeria. Within the fiction which reflects upon the destruction wrought by the Algeria’s civil crisis (c. 1992-1998), the mother-daughter bond connects women’s suffering during this “black decade” with the preceding War of Independence (1956-1962). Female protagonists in literary works by authors including Malika Mokeddem and Leila Marouane are inspired to challenge and resist civil upheaval and violence through recollecting and celebrating their mothers’ earlier resistance during the War of Independence. Presenting Mokeddem’s Of Dreams and Assassins and Marouane’s The Abductor as key texts, this article considers how the mother-daughter bond emerges as a literary theme which, through exemplifying the transnational emphasis on the associations between distinct atrocities, draws attention to female suffering within both Algerian wars, developing a productive and intercultural consciousness of female-specific suffering within multiple historical traumas.
url http://www.forumjournal.org/article/view/1201
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