Difusión, censura y control de las exhibiciones cinematográficas. La ciudad de Rosario (Argentina) durante el período de entreguerras

This paper analyzes the distribution of cinema in the city of Rosario (Argentina) during the interwar period, focusing on the construction of cultural discourses, practices and relations. The paper explores representations, made by various agents, of cinema and the strategies of social and cultural...

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Bibliographic Details
Main Author: Diego P. Roldán
Format: Article
Language:Spanish
Published: Universidad de los Andes 2012-12-01
Series:Historia Crítica
Subjects:
Online Access:http://historiacritica.uniandes.edu.co/view.php/796/index.php?id=796
Description
Summary:This paper analyzes the distribution of cinema in the city of Rosario (Argentina) during the interwar period, focusing on the construction of cultural discourses, practices and relations. The paper explores representations, made by various agents, of cinema and the strategies of social and cultural discipline set regarding the films and the audience. Censorship and the disciplinary mechanisms are studied in light of their forms of production and reproduction in the urban social space, trying to (r)establish its sociological historicity.
ISSN:0121-1617
1900-6152