Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons

The present study addresses the lack of an instructional design methodology that guides the integration of technology in music listening and composition activities, and enriches the framework of Technological Pedagogical Content Knowledge (TPCK)—an essentially cognitive model– with the affective dom...

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Main Authors: Elena Macrides, Charoula Angeli
Format: Article
Language:English
Published: Frontiers Media S.A. 2020-09-01
Series:Frontiers in Education
Subjects:
Online Access:https://www.frontiersin.org/article/10.3389/feduc.2020.518209/full
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spelling doaj-16ca71d7ba3247ff8606e8937722c1462020-11-25T02:48:22ZengFrontiers Media S.A.Frontiers in Education2504-284X2020-09-01510.3389/feduc.2020.518209518209Music Cognition and Affect in the Design of Technology-Enhanced Music LessonsElena MacridesCharoula AngeliThe present study addresses the lack of an instructional design methodology that guides the integration of technology in music listening and composition activities, and enriches the framework of Technological Pedagogical Content Knowledge (TPCK)—an essentially cognitive model– with the affective domain. The authors herein provide many examples that illustrate the music design principles and the expanded Technology Mapping instructional design process that have been proposed in previously published work. The practical examples provide concrete ideas on how to transform the musical materials into more understandable forms and how to associate them with emotions using technology. Besides its practical contribution, the research has also a theoretical significance for the theory of TPCK as it examines the interrelations between music content, technology, cognition, and affect, and identifies discipline-specific aspects of TPCK that include the affective domain. The empirical evidence of 191 secondary school students presented within the context of a music composition task using the software MuseScore, supports that both the TPCK framework as well as the proposed music guidelines can effectively guide teachers in designing lessons with technology while incorporating effect. Through the 4E perspective, technology and the proposed approach are viewed as agents of a distributed system that can support the embodied minds to develop musical and emotional understanding.https://www.frontiersin.org/article/10.3389/feduc.2020.518209/fullaffectinstructional designmusic creativityMuseScoretechnologytechnological pedagogical content knowledge
collection DOAJ
language English
format Article
sources DOAJ
author Elena Macrides
Charoula Angeli
spellingShingle Elena Macrides
Charoula Angeli
Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
Frontiers in Education
affect
instructional design
music creativity
MuseScore
technology
technological pedagogical content knowledge
author_facet Elena Macrides
Charoula Angeli
author_sort Elena Macrides
title Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
title_short Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
title_full Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
title_fullStr Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
title_full_unstemmed Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
title_sort music cognition and affect in the design of technology-enhanced music lessons
publisher Frontiers Media S.A.
series Frontiers in Education
issn 2504-284X
publishDate 2020-09-01
description The present study addresses the lack of an instructional design methodology that guides the integration of technology in music listening and composition activities, and enriches the framework of Technological Pedagogical Content Knowledge (TPCK)—an essentially cognitive model– with the affective domain. The authors herein provide many examples that illustrate the music design principles and the expanded Technology Mapping instructional design process that have been proposed in previously published work. The practical examples provide concrete ideas on how to transform the musical materials into more understandable forms and how to associate them with emotions using technology. Besides its practical contribution, the research has also a theoretical significance for the theory of TPCK as it examines the interrelations between music content, technology, cognition, and affect, and identifies discipline-specific aspects of TPCK that include the affective domain. The empirical evidence of 191 secondary school students presented within the context of a music composition task using the software MuseScore, supports that both the TPCK framework as well as the proposed music guidelines can effectively guide teachers in designing lessons with technology while incorporating effect. Through the 4E perspective, technology and the proposed approach are viewed as agents of a distributed system that can support the embodied minds to develop musical and emotional understanding.
topic affect
instructional design
music creativity
MuseScore
technology
technological pedagogical content knowledge
url https://www.frontiersin.org/article/10.3389/feduc.2020.518209/full
work_keys_str_mv AT elenamacrides musiccognitionandaffectinthedesignoftechnologyenhancedmusiclessons
AT charoulaangeli musiccognitionandaffectinthedesignoftechnologyenhancedmusiclessons
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