Music Education for All: The raison d’être of Music Schools

Music schools, centres of non-formal music education, bring music to people of all ages as they work to achieve their main objective of offering practical musical training, for both instruments and voice. Their activities are centred in the town or city in which they are located, and their impact ex...

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Main Authors: Baikune De Alba, Maravillas Díaz-Gómez
Format: Article
Language:English
Published: MDPI AG 2018-05-01
Series:Education Sciences
Subjects:
Online Access:http://www.mdpi.com/2227-7102/8/2/66
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spelling doaj-16999ce95b1c439da99de2138e0833172020-11-25T01:13:24ZengMDPI AGEducation Sciences2227-71022018-05-01826610.3390/educsci8020066educsci8020066Music Education for All: The raison d’être of Music SchoolsBaikune De Alba0Maravillas Díaz-Gómez1Department of Music, Visual Arts and Physical Education, Faculty of Education-Bilbao, University of the Basque Country, Bº Sarriena 48940 Leioa, SpainDepartment of Music, Visual Arts and Physical Education, Faculty of Education-Bilbao, University of the Basque Country, Bº Sarriena 48940 Leioa, SpainMusic schools, centres of non-formal music education, bring music to people of all ages as they work to achieve their main objective of offering practical musical training, for both instruments and voice. Their activities are centred in the town or city in which they are located, and their impact extends beyond the educational sphere: music schools are also a social force whose activities stimulate the local cultural scene. This study explores the work carried out by these schools in the Basque Country (Spain), where they have been operating for over 20 years. The analysis focuses on the range of music education they offer, their ability to respond to different demands and needs and how they relate to their social and educational environment. Furthermore, the paper examines whether music schools see other potential areas for growth and development and explores the factors that could positively or negatively impact their ability to achieve their objectives. The study adopts a description-oriented empirical-analytical methodology and applies the SWOT system. A total of 67 schools were included in the study. The results reveal the relevance of this ever-evolving model of education and confirm music schools as a key force in both music education and the sociocultural sphere in this country.http://www.mdpi.com/2227-7102/8/2/66music schoolseducation and societylifelong learningnon-formal education
collection DOAJ
language English
format Article
sources DOAJ
author Baikune De Alba
Maravillas Díaz-Gómez
spellingShingle Baikune De Alba
Maravillas Díaz-Gómez
Music Education for All: The raison d’être of Music Schools
Education Sciences
music schools
education and society
lifelong learning
non-formal education
author_facet Baikune De Alba
Maravillas Díaz-Gómez
author_sort Baikune De Alba
title Music Education for All: The raison d’être of Music Schools
title_short Music Education for All: The raison d’être of Music Schools
title_full Music Education for All: The raison d’être of Music Schools
title_fullStr Music Education for All: The raison d’être of Music Schools
title_full_unstemmed Music Education for All: The raison d’être of Music Schools
title_sort music education for all: the raison d’être of music schools
publisher MDPI AG
series Education Sciences
issn 2227-7102
publishDate 2018-05-01
description Music schools, centres of non-formal music education, bring music to people of all ages as they work to achieve their main objective of offering practical musical training, for both instruments and voice. Their activities are centred in the town or city in which they are located, and their impact extends beyond the educational sphere: music schools are also a social force whose activities stimulate the local cultural scene. This study explores the work carried out by these schools in the Basque Country (Spain), where they have been operating for over 20 years. The analysis focuses on the range of music education they offer, their ability to respond to different demands and needs and how they relate to their social and educational environment. Furthermore, the paper examines whether music schools see other potential areas for growth and development and explores the factors that could positively or negatively impact their ability to achieve their objectives. The study adopts a description-oriented empirical-analytical methodology and applies the SWOT system. A total of 67 schools were included in the study. The results reveal the relevance of this ever-evolving model of education and confirm music schools as a key force in both music education and the sociocultural sphere in this country.
topic music schools
education and society
lifelong learning
non-formal education
url http://www.mdpi.com/2227-7102/8/2/66
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