Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self

To cope with the traumatic reality of World War II, French society repressed its memories, resulting in a false collective memory. Today, a more truthful history can be restored with the study of wartime and post-war texts. We examine the first six books (1948-67) of Belgian-French writer Béatrix Be...

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Main Author: Myrna Bell Rochester
Format: Article
Language:English
Published: New Prairie Press 2012-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol36/iss1/10
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spelling doaj-167c97a3b307444e869c555084cc9e9f2020-11-25T01:55:08ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152012-01-0136110.4148/2334-4415.17755766328Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the SelfMyrna Bell RochesterTo cope with the traumatic reality of World War II, French society repressed its memories, resulting in a false collective memory. Today, a more truthful history can be restored with the study of wartime and post-war texts. We examine the first six books (1948-67) of Belgian-French writer Béatrix Beck (1914-2008), alongside the theories of psychiatrist Judith Lewis Herman, who wrote that “traumatic reactions occur when action is of no avail.” Beck’s semi-autobiographical protagonist, Barny, goes through Herman’s stages of forgetting and remembering, healing and recovery. Her emergence as a writer also follows that trajectory: Barny, like Occupied France, was isolated. Helpless to act or react, she was traumatized—by her father’s death, a dysfunctional childhood, her mother’s suicide, and, in Occupied France, her husband’s death, single motherhood, poverty, menial jobs, and fear of arrest. In the first stage of recovery, Barny reaches safety. In the second, she begins to remember, to probe the issues and articulate them, in their painful ambiguity. For Herman, the ultimate goal is to put the story, with its imagery, into words. In the third stage, Barny, against fierce odds, becomes a writer.http://newprairiepress.org/sttcl/vol36/iss1/10
collection DOAJ
language English
format Article
sources DOAJ
author Myrna Bell Rochester
spellingShingle Myrna Bell Rochester
Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
Studies in 20th & 21st Century Literature
author_facet Myrna Bell Rochester
author_sort Myrna Bell Rochester
title Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
title_short Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
title_full Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
title_fullStr Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
title_full_unstemmed Béatrix Beck: The “Barny Cycle”: Writing to Inform and Heal the Self
title_sort béatrix beck: the “barny cycle”: writing to inform and heal the self
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 2012-01-01
description To cope with the traumatic reality of World War II, French society repressed its memories, resulting in a false collective memory. Today, a more truthful history can be restored with the study of wartime and post-war texts. We examine the first six books (1948-67) of Belgian-French writer Béatrix Beck (1914-2008), alongside the theories of psychiatrist Judith Lewis Herman, who wrote that “traumatic reactions occur when action is of no avail.” Beck’s semi-autobiographical protagonist, Barny, goes through Herman’s stages of forgetting and remembering, healing and recovery. Her emergence as a writer also follows that trajectory: Barny, like Occupied France, was isolated. Helpless to act or react, she was traumatized—by her father’s death, a dysfunctional childhood, her mother’s suicide, and, in Occupied France, her husband’s death, single motherhood, poverty, menial jobs, and fear of arrest. In the first stage of recovery, Barny reaches safety. In the second, she begins to remember, to probe the issues and articulate them, in their painful ambiguity. For Herman, the ultimate goal is to put the story, with its imagery, into words. In the third stage, Barny, against fierce odds, becomes a writer.
url http://newprairiepress.org/sttcl/vol36/iss1/10
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