Shape-shifting: TheoArtistry Poetry as Theological Action Research

This paper describes a creative partnership between a theologian and a poet arranged by the Institute for Theology, Imagination and the Arts at the University of St Andrews in 2018. The TheoArtistry project seeks to reintroduce artists to traditional religious culture and to foster collaborations be...

Full description

Bibliographic Details
Main Authors: Anderson Kimberley Jane, Bolland John
Format: Article
Language:English
Published: De Gruyter 2019-02-01
Series:Open Cultural Studies
Subjects:
Online Access:https://doi.org/10.1515/culture-2019-0005
id doaj-167beddb71b04bf187b7329bdf8bfd9c
record_format Article
spelling doaj-167beddb71b04bf187b7329bdf8bfd9c2021-09-06T19:19:47ZengDe GruyterOpen Cultural Studies2451-34742019-02-0131476110.1515/culture-2019-0005culture-2019-0005Shape-shifting: TheoArtistry Poetry as Theological Action ResearchAnderson Kimberley Jane0Bolland John1Institute for Theology, Imagination and the Arts, University of St Andrews,St Andrews, U.K.Poet and Writer, North Balnoon Cottage, Huntly,Aberdeenshire, UKThis paper describes a creative partnership between a theologian and a poet arranged by the Institute for Theology, Imagination and the Arts at the University of St Andrews in 2018. The TheoArtistry project seeks to reintroduce artists to traditional religious culture and to foster collaborations between academics and art practitioners (Corbett). In this article we discuss and utilise Theological Action Research methodology (Cameron et al.), to explore the process and outcomes of one such collaboration tasked to produce a poem inspired by an Old Testament passage and the theme of “Annunciation.” The researchers in this collaboration drew on a diverse range of cultural forms and accommodated a position of scepticism towards Christian faith. An examination of the cycles of action and reflection in the production of the poem enables conclusions to be made concerning the impact of this interaction upon the collaborators’ theological thought and practice. This section closes with the final poem and a brief team commentary. The final section evaluates the partnership in terms of the TheoArtistry goals and shows how it both supported the project and set a challenging precedent for broadening the scope of theological openness and inclusivity in future collaborations.https://doi.org/10.1515/culture-2019-0005religionspiritualitypoetryinterfaithre-enchantment
collection DOAJ
language English
format Article
sources DOAJ
author Anderson Kimberley Jane
Bolland John
spellingShingle Anderson Kimberley Jane
Bolland John
Shape-shifting: TheoArtistry Poetry as Theological Action Research
Open Cultural Studies
religion
spirituality
poetry
interfaith
re-enchantment
author_facet Anderson Kimberley Jane
Bolland John
author_sort Anderson Kimberley Jane
title Shape-shifting: TheoArtistry Poetry as Theological Action Research
title_short Shape-shifting: TheoArtistry Poetry as Theological Action Research
title_full Shape-shifting: TheoArtistry Poetry as Theological Action Research
title_fullStr Shape-shifting: TheoArtistry Poetry as Theological Action Research
title_full_unstemmed Shape-shifting: TheoArtistry Poetry as Theological Action Research
title_sort shape-shifting: theoartistry poetry as theological action research
publisher De Gruyter
series Open Cultural Studies
issn 2451-3474
publishDate 2019-02-01
description This paper describes a creative partnership between a theologian and a poet arranged by the Institute for Theology, Imagination and the Arts at the University of St Andrews in 2018. The TheoArtistry project seeks to reintroduce artists to traditional religious culture and to foster collaborations between academics and art practitioners (Corbett). In this article we discuss and utilise Theological Action Research methodology (Cameron et al.), to explore the process and outcomes of one such collaboration tasked to produce a poem inspired by an Old Testament passage and the theme of “Annunciation.” The researchers in this collaboration drew on a diverse range of cultural forms and accommodated a position of scepticism towards Christian faith. An examination of the cycles of action and reflection in the production of the poem enables conclusions to be made concerning the impact of this interaction upon the collaborators’ theological thought and practice. This section closes with the final poem and a brief team commentary. The final section evaluates the partnership in terms of the TheoArtistry goals and shows how it both supported the project and set a challenging precedent for broadening the scope of theological openness and inclusivity in future collaborations.
topic religion
spirituality
poetry
interfaith
re-enchantment
url https://doi.org/10.1515/culture-2019-0005
work_keys_str_mv AT andersonkimberleyjane shapeshiftingtheoartistrypoetryastheologicalactionresearch
AT bollandjohn shapeshiftingtheoartistrypoetryastheologicalactionresearch
_version_ 1717777803721572352