The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York

The aim of this essay is to provide further insight into the concept of urban walking or, using its literary definition, flânerie in America at the dawn of the 20th century. This study aims to discuss the role of the female flâneuse walking New York in the late 1800s and early 1900s. In order to bro...

Full description

Bibliographic Details
Main Author: Beatrice Melodia Festa
Format: Article
Language:English
Published: Department of Foreign Languages and Literatures at the University of Verona 2016-12-01
Series:Iperstoria
Online Access:https://iperstoria.it/article/view/380
id doaj-163046a71aa54383a1ddafd90b680019
record_format Article
spelling doaj-163046a71aa54383a1ddafd90b6800192021-03-03T10:14:36ZengDepartment of Foreign Languages and Literatures at the University of VeronaIperstoria2281-45822016-12-010810.13136/2281-4582/2016.i8.380299The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New YorkBeatrice Melodia FestaThe aim of this essay is to provide further insight into the concept of urban walking or, using its literary definition, flânerie in America at the dawn of the 20th century. This study aims to discuss the role of the female flâneuse walking New York in the late 1800s and early 1900s. In order to broaden understanding of the complex role of women as strollers on the market, faithfully representing America’s social changes at the birth of women’s emancipation, this study compares Edith Wharton’s The House of Mirth (1905) and Stephen Crane’s Maggie: A Girl of the Streets (1893). Offering a reconsideration of the role of the female flâneur in America, these novels, analyze the representation of women as strollers on the market in two similar and yet different social contexts. In light of this, the female flâneuse at the turn of the century walks both as a social signifier and as a symbol of a collective psychology, representing America’s social changes. These two literary examples will help us understand this figure, providing us with the tools necessary to trace America’s cultural history and the history of New York City as filtered through the eyes of the flâneur. The ultimate aim of this essay is to offer a reconsideration of the image of the female flâneuse in America.https://iperstoria.it/article/view/380
collection DOAJ
language English
format Article
sources DOAJ
author Beatrice Melodia Festa
spellingShingle Beatrice Melodia Festa
The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
Iperstoria
author_facet Beatrice Melodia Festa
author_sort Beatrice Melodia Festa
title The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
title_short The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
title_full The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
title_fullStr The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
title_full_unstemmed The Gendering of Space: Female Strollers on the Market in 19th and 20th-century New York
title_sort gendering of space: female strollers on the market in 19th and 20th-century new york
publisher Department of Foreign Languages and Literatures at the University of Verona
series Iperstoria
issn 2281-4582
publishDate 2016-12-01
description The aim of this essay is to provide further insight into the concept of urban walking or, using its literary definition, flânerie in America at the dawn of the 20th century. This study aims to discuss the role of the female flâneuse walking New York in the late 1800s and early 1900s. In order to broaden understanding of the complex role of women as strollers on the market, faithfully representing America’s social changes at the birth of women’s emancipation, this study compares Edith Wharton’s The House of Mirth (1905) and Stephen Crane’s Maggie: A Girl of the Streets (1893). Offering a reconsideration of the role of the female flâneur in America, these novels, analyze the representation of women as strollers on the market in two similar and yet different social contexts. In light of this, the female flâneuse at the turn of the century walks both as a social signifier and as a symbol of a collective psychology, representing America’s social changes. These two literary examples will help us understand this figure, providing us with the tools necessary to trace America’s cultural history and the history of New York City as filtered through the eyes of the flâneur. The ultimate aim of this essay is to offer a reconsideration of the image of the female flâneuse in America.
url https://iperstoria.it/article/view/380
work_keys_str_mv AT beatricemelodiafesta thegenderingofspacefemalestrollersonthemarketin19thand20thcenturynewyork
AT beatricemelodiafesta genderingofspacefemalestrollersonthemarketin19thand20thcenturynewyork
_version_ 1724232970629283840