"Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter

This paper explores the manner in which Alia Yunis's novel The Night Counter evokes the figure of Scheherazade from the Thousand and One Nights. First, the paper looks at Yunis's comedic articulations of cultural mobility in her description of her childhood attachment to Scheherazade in h...

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Main Author: Pauline Homsi Vinson
Format: Article
Language:English
Published: North Carolina State University, Moise A. Khayrallah Center for Lebanese Diaspora Studies 2015-01-01
Series:Mashriq & Mahjar
Subjects:
Online Access:https://lebanesestudies.ojs.chass.ncsu.edu/index.php/mashriq/article/view/26
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spelling doaj-160e81004dd5400d8b9eee49b5a0da792020-11-25T03:04:13ZengNorth Carolina State University, Moise A. Khayrallah Center for Lebanese Diaspora StudiesMashriq & Mahjar2169-44352015-01-012110.24847/22i2014.26"Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night CounterPauline Homsi Vinson This paper explores the manner in which Alia Yunis's novel The Night Counter evokes the figure of Scheherazade from the Thousand and One Nights. First, the paper looks at Yunis's comedic articulations of cultural mobility in her description of her childhood attachment to Scheherazade in her essay "My Arabian Superheroine." Next, the paper examines how the novel reconfigures those childhood articulations to present a "reverse 1001 Nights," transforming Scheherazade from a storyteller to a listener that elicits stories of more than a century of Arab American history. Through these stories, the novel foregrounds questions of migration, cultural exchange, and translation while exposing the performative dimensions of gendered and racialized configurations of cultural identity. In so doing, this paper suggests, Yunis's novel not only "counters" narratives of distorted views of Arabs but also promotes a type of "coming out" that embraces the plurality of Arab American stories and modes of belonging. https://lebanesestudies.ojs.chass.ncsu.edu/index.php/mashriq/article/view/26Alia YunisArab American literatureThe Night Countergender and racial formationsScheherazadetransnational literature
collection DOAJ
language English
format Article
sources DOAJ
author Pauline Homsi Vinson
spellingShingle Pauline Homsi Vinson
"Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
Mashriq & Mahjar
Alia Yunis
Arab American literature
The Night Counter
gender and racial formations
Scheherazade
transnational literature
author_facet Pauline Homsi Vinson
author_sort Pauline Homsi Vinson
title "Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
title_short "Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
title_full "Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
title_fullStr "Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
title_full_unstemmed "Re-Encountering Scheherzade": Gender, Cultural Mobility, and Narrative Transformations in Alia Yunis's The Night Counter
title_sort "re-encountering scheherzade": gender, cultural mobility, and narrative transformations in alia yunis's the night counter
publisher North Carolina State University, Moise A. Khayrallah Center for Lebanese Diaspora Studies
series Mashriq & Mahjar
issn 2169-4435
publishDate 2015-01-01
description This paper explores the manner in which Alia Yunis's novel The Night Counter evokes the figure of Scheherazade from the Thousand and One Nights. First, the paper looks at Yunis's comedic articulations of cultural mobility in her description of her childhood attachment to Scheherazade in her essay "My Arabian Superheroine." Next, the paper examines how the novel reconfigures those childhood articulations to present a "reverse 1001 Nights," transforming Scheherazade from a storyteller to a listener that elicits stories of more than a century of Arab American history. Through these stories, the novel foregrounds questions of migration, cultural exchange, and translation while exposing the performative dimensions of gendered and racialized configurations of cultural identity. In so doing, this paper suggests, Yunis's novel not only "counters" narratives of distorted views of Arabs but also promotes a type of "coming out" that embraces the plurality of Arab American stories and modes of belonging.
topic Alia Yunis
Arab American literature
The Night Counter
gender and racial formations
Scheherazade
transnational literature
url https://lebanesestudies.ojs.chass.ncsu.edu/index.php/mashriq/article/view/26
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