Contextul politic şi cultural al înfiinţării Muzeului Satului

In this study I show the political and cultural context of the Village Museum’s establishment, and I will not tackle the – so often discussed throughout the decades – scientific reasons of this institution’s foundation. Dimitrie Gusti and his sociological monographic team emphasized, as early as 19...

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Main Author: Zoltán Rostás
Format: Article
Language:English
Published: Expert Projects 2012-07-01
Series:Sociologie Românească
Subjects:
Online Access:https://arsociologie.ro/revistasociologieromaneasca/sr/article/view/575
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spelling doaj-15ddb7b483c74a41bce3e6b89e44a3202020-11-25T02:41:53ZengExpert ProjectsSociologie Românească1220-53892668-14552012-07-01102Contextul politic şi cultural al înfiinţării Muzeului SatuluiZoltán Rostás0 The Faculty of Journalism and Communication Studies, University of Bucharest In this study I show the political and cultural context of the Village Museum’s establishment, and I will not tackle the – so often discussed throughout the decades – scientific reasons of this institution’s foundation. Dimitrie Gusti and his sociological monographic team emphasized, as early as 1928, since the monographic campaign undertaken at Fundul Moldovei, the scientific and pedagogical value of exhibitions and museums. After 1934, under the aegis of the Royal Cultural Foundation „Prince Carol”, the voluntary royal student teams used to annually organize exhibitions illustrating their accomplishments and objects gathered in the field. All these activities constituted the antecedents of the Village Museum. I will stress the main contextual aspects that facilitated and legitimated the rapid establishment of the institution. I will outline the propagandistic function of the museum in the context of the interwar institutionalization of the national cultural construction of Greater Romania. I will present the meaning of the specific cultural politics (related to the museum) promoted by Carol II in the context of political contest in the 30s. I will also show the epoch’s micro-history that preceded the museum’s inauguration, illustrating it with fragments of oral history recorded in the 80s. Finally, I will explore the reasons of the ambivalent political discourse employed by the museum’s founder. https://arsociologie.ro/revistasociologieromaneasca/sr/article/view/575The Village MuseumRural SociologyKing Carol IIDimitrie GustiSocial InterventionRoyal Student’s Teams
collection DOAJ
language English
format Article
sources DOAJ
author Zoltán Rostás
spellingShingle Zoltán Rostás
Contextul politic şi cultural al înfiinţării Muzeului Satului
Sociologie Românească
The Village Museum
Rural Sociology
King Carol II
Dimitrie Gusti
Social Intervention
Royal Student’s Teams
author_facet Zoltán Rostás
author_sort Zoltán Rostás
title Contextul politic şi cultural al înfiinţării Muzeului Satului
title_short Contextul politic şi cultural al înfiinţării Muzeului Satului
title_full Contextul politic şi cultural al înfiinţării Muzeului Satului
title_fullStr Contextul politic şi cultural al înfiinţării Muzeului Satului
title_full_unstemmed Contextul politic şi cultural al înfiinţării Muzeului Satului
title_sort contextul politic şi cultural al înfiinţării muzeului satului
publisher Expert Projects
series Sociologie Românească
issn 1220-5389
2668-1455
publishDate 2012-07-01
description In this study I show the political and cultural context of the Village Museum’s establishment, and I will not tackle the – so often discussed throughout the decades – scientific reasons of this institution’s foundation. Dimitrie Gusti and his sociological monographic team emphasized, as early as 1928, since the monographic campaign undertaken at Fundul Moldovei, the scientific and pedagogical value of exhibitions and museums. After 1934, under the aegis of the Royal Cultural Foundation „Prince Carol”, the voluntary royal student teams used to annually organize exhibitions illustrating their accomplishments and objects gathered in the field. All these activities constituted the antecedents of the Village Museum. I will stress the main contextual aspects that facilitated and legitimated the rapid establishment of the institution. I will outline the propagandistic function of the museum in the context of the interwar institutionalization of the national cultural construction of Greater Romania. I will present the meaning of the specific cultural politics (related to the museum) promoted by Carol II in the context of political contest in the 30s. I will also show the epoch’s micro-history that preceded the museum’s inauguration, illustrating it with fragments of oral history recorded in the 80s. Finally, I will explore the reasons of the ambivalent political discourse employed by the museum’s founder.
topic The Village Museum
Rural Sociology
King Carol II
Dimitrie Gusti
Social Intervention
Royal Student’s Teams
url https://arsociologie.ro/revistasociologieromaneasca/sr/article/view/575
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