The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation
The article investigates the way in which the author of Revelation composed the seven seals: Formal elements group the seals in smaller patterns. It then explains how this reading of the composition contributes to the process of interpretation by analysing the Rider on the white horse as first seal....
Main Author: | |
---|---|
Format: | Article |
Language: | Afrikaans |
Published: |
AOSIS
2004-10-01
|
Series: | HTS Teologiese Studies/Theological Studies |
Online Access: | https://hts.org.za/index.php/hts/article/view/526 |
id |
doaj-15766a2a0f334a5fa61f20502e5ec861 |
---|---|
record_format |
Article |
spelling |
doaj-15766a2a0f334a5fa61f20502e5ec8612020-11-24T23:46:54ZafrAOSISHTS Teologiese Studies/Theological Studies 0259-94222072-80502004-10-01601/212515310.4102/hts.v60i1/2.526403The role of composition in the interpretation of the Rider on the white horse and the seven seals in RevelationPieter G.R. de Villiers0University of the Free StateThe article investigates the way in which the author of Revelation composed the seven seals: Formal elements group the seals in smaller patterns. It then explains how this reading of the composition contributes to the process of interpretation by analysing the Rider on the white horse as first seal. Other aspects of the author’s compositional skills are brought into discussion in a last part of the article where the meaning of the Rider on the white horse and the ambiguity of the symbols are discussed.https://hts.org.za/index.php/hts/article/view/526 |
collection |
DOAJ |
language |
Afrikaans |
format |
Article |
sources |
DOAJ |
author |
Pieter G.R. de Villiers |
spellingShingle |
Pieter G.R. de Villiers The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation HTS Teologiese Studies/Theological Studies |
author_facet |
Pieter G.R. de Villiers |
author_sort |
Pieter G.R. de Villiers |
title |
The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation |
title_short |
The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation |
title_full |
The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation |
title_fullStr |
The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation |
title_full_unstemmed |
The role of composition in the interpretation of the Rider on the white horse and the seven seals in Revelation |
title_sort |
role of composition in the interpretation of the rider on the white horse and the seven seals in revelation |
publisher |
AOSIS |
series |
HTS Teologiese Studies/Theological Studies |
issn |
0259-9422 2072-8050 |
publishDate |
2004-10-01 |
description |
The article investigates the way in which the author of Revelation composed the seven seals: Formal elements group the seals in smaller patterns. It then explains how this reading of the composition contributes to the process of interpretation by analysing the Rider on the white horse as first seal. Other aspects of the author’s compositional skills are brought into discussion in a last part of the article where the meaning of the Rider on the white horse and the ambiguity of the symbols are discussed. |
url |
https://hts.org.za/index.php/hts/article/view/526 |
work_keys_str_mv |
AT pietergrdevilliers theroleofcompositionintheinterpretationoftherideronthewhitehorseandthesevensealsinrevelation AT pietergrdevilliers roleofcompositionintheinterpretationoftherideronthewhitehorseandthesevensealsinrevelation |
_version_ |
1725491754147250176 |