Le leurre du « violone » dans The Concert de Sir Peter Lely : les sources intimes de l’harmonie
Peter Lely’s The Concert (late 1640s) pictures a bucolic concert scene set in a glade, where a violist and a flautist seem to entertain four women standing and sitting in front of artistically hung draperies. Although the salient presence of the bass violin suggests this picture does represent a con...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2012-12-01
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| Series: | XVII-XVIII |
| Online Access: | http://journals.openedition.org/1718/614 |