What is the avant-garde? The questionnaire as historiography
In 1928 the Cuban magazine Revista de Avance issued a questionnaire asking, ‘What should (Latin) American art be?’ while the same year the expatriate magazine transition based in Paris, polled its North American contributors asking: ‘Why do Americans Live in Europe?’ and surveyed its European writer...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2011-12-01
|
Series: | Journal of Art Historiography |
Subjects: | |
Online Access: | http://arthistoriography.files.wordpress.com/2011/12/cole.pdf |
id |
doaj-151d6fa82a6749b0a4b6ad6403c7a81f |
---|---|
record_format |
Article |
spelling |
doaj-151d6fa82a6749b0a4b6ad6403c7a81f2020-11-24T21:12:00ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522011-12-0155LC/1What is the avant-garde? The questionnaire as historiographyLori ColeIn 1928 the Cuban magazine Revista de Avance issued a questionnaire asking, ‘What should (Latin) American art be?’ while the same year the expatriate magazine transition based in Paris, polled its North American contributors asking: ‘Why do Americans Live in Europe?’ and surveyed its European writers to ask: ‘How are the influences of the United States manifesting themselves upon Europe?’ By examining these questionnaires issued across the Atlantic in the same year, I examine the way the genre structures the artistic and political stakes of modernist print communities and illuminates the relationships these magazines establish between aesthetics and the Americas. Questionnaires functioned as print proxies by implying through their reproduction of multiple individual responses a much larger community of writers and readers. Both questionnaires work to interpellate the magazines’ dispersed communities and to emphasize the effects of their dis/location on their artistic purpose, ultimately forming a patchwork historiography of the avant-garde. http://arthistoriography.files.wordpress.com/2011/12/cole.pdfquestionnairemagazineshistoriographyRevista de AvancetransitionAmericas |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lori Cole |
spellingShingle |
Lori Cole What is the avant-garde? The questionnaire as historiography Journal of Art Historiography questionnaire magazines historiography Revista de Avance transition Americas |
author_facet |
Lori Cole |
author_sort |
Lori Cole |
title |
What is the avant-garde? The questionnaire as historiography |
title_short |
What is the avant-garde? The questionnaire as historiography |
title_full |
What is the avant-garde? The questionnaire as historiography |
title_fullStr |
What is the avant-garde? The questionnaire as historiography |
title_full_unstemmed |
What is the avant-garde? The questionnaire as historiography |
title_sort |
what is the avant-garde? the questionnaire as historiography |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2011-12-01 |
description |
In 1928 the Cuban magazine Revista de Avance issued a questionnaire asking, ‘What should (Latin) American art be?’ while the same year the expatriate magazine transition based in Paris, polled its North American contributors asking: ‘Why do Americans Live in Europe?’ and surveyed its European writers to ask: ‘How are the influences of the United States manifesting themselves upon Europe?’ By examining these questionnaires issued across the Atlantic in the same year, I examine the way the genre structures the artistic and political stakes of modernist print communities and illuminates the relationships these magazines establish between aesthetics and the Americas. Questionnaires functioned as print proxies by implying through their reproduction of multiple individual responses a much larger community of writers and readers. Both questionnaires work to interpellate the magazines’ dispersed communities and to emphasize the effects of their dis/location on their artistic purpose, ultimately forming a patchwork historiography of the avant-garde. |
topic |
questionnaire magazines historiography Revista de Avance transition Americas |
url |
http://arthistoriography.files.wordpress.com/2011/12/cole.pdf |
work_keys_str_mv |
AT loricole whatistheavantgardethequestionnaireashistoriography |
_version_ |
1716751814203801600 |